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Color Palette: Berlin
Twitter: @MisterPente
https://t.co/uYv1mYPghH
Detail shots from BLUE LITERAL 0.2. This and others from the program are available as 4ft x 2ft prints (1.2m x 0.6m), one of the largest prints I've offered in a while.
CLARION 0.14
At the time that I created Clarion, I was interested in a kind of digital pseudo-brush-stroke, not to create a fake “painting” but to apply a bit of the same feeling in a new environment.
A pencil + gouache work created as a Christmas gift. I've got dozens of interesting plants at my house now, so it's cool to be able to pick out a succulent like this one to model for me.
One of the glitched out sketches from the development of REMEMBRANCE IN POINTS. Sometimes these are hard to appreciate in the moment when you have something already in mind, but when you’re looking back in the future, some of the wild bits really stand out.
Each color gets a little introduction in tiny lines above its main section, and echoes of it follow after. So, even though each color only gets one main section, it gets the chance to interact with every other color in the work. *Available at https://t.co/PuXfQurVFR
CLARION 0.12 is a work from 2017 that still feels fresh to me, the colors super light and breezy. It’s got sort of a spring-time vibe of growth and emergence going on. This one’s up in the shop as a 19 x 19 inch unique pigment print, https://t.co/PuXfQuakOj.
SLOW LESSONS 0.19
Iteration: 4 of 16
Image: 16x20
Paper: 18x22
Available for sale on site https://t.co/PuXfQuakOj. Order before Dec 1st to guarantee arrival before Christmas. Each work includes a signed printout of the source code of the program used to generate the image.
CURRENTS, the second a series of four very large commissioned works (4m wide). When I think of water, I also think of light, and how water in motion acts as a scattering mirror. You see so many fragments of the reflected image, scattered apart and tied together only by sensation.