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howl's moving castle (2004) เป็นเรื่องที่จำฝั่งใจมาตั้งแต่เด็กว่าไม่สนุก ไม่เข้าใจการกระทำของทุกตัวละคร และไม่ชอบเรื่องนี้เลย จนคริสมาสต์ที่ผ่านมาเราเปิดใจดูเรื่องนี้ ทำให้รู้ว่าหนังเรื่องนี้ควรดูตอนโตจริงๆ ปัจจุบันชอบเรื่องนี้มาก ตอนเด็กไม่ชอบโซฟีแต่ตอนนี้เรารักโซฟีมากๆเลย https://t.co/ZmO3RYHxSk
Fathom: Dawn of War #1 Canadian National Comic Book Expo exclusive (2004), colors by @PSteigerwald
@Aspen #Fathom #Kiani #FathomFriday #MichaelTurner
✏️ Boceto original a acuarela de 'El castillo ambulante' (Hayao Miyazaki, 2004).
If y'all love #ShinUltraman, check out these other amazing films!
Ultra Q: The Movie (1990); dir. Akio Jissoji
Ultraman: The Next (2004); dir. Kazuya Konaka
Attack on Titan: Part 1 & Part 2 (2015); dir. Shinji Higuchi
Shin Godzilla (2016); dir. Hideaki Anno & Shinji Higuchi
BoredApeYachtClub sold for 75 ETH ($94,004)
#NFT Collection: #BoredApeYachtClub, #BAYC
Floor Price: 69.815 #ETH
https://t.co/brzDI7MQBR
Bored Ape Yacht Club #9892 sold for 75 ETH ($94,004)
#NFT Collection: #BoredApeYachtClub, #BAYC
Floor Price: 69.815 #ETH
https://t.co/brzDI7MQBR
(2001) JESSICA JONES - art by @JScottCampbell
(2004) CASSIE HACK
(2008) MADAME MIRAGE
(2009) CRITTER - art by @Garvgraphx
My #Thursday #American #alternative #punk #revival #rock #masterpiece #Album is: 'American Idiot' (2004) https://t.co/ysGlJ3RQXm by Green Day
Azuki #7992 sold for 19 ETH ($23,004)
#NFT Collection: #Azuki
Floor Price: 11.63 #ETH
https://t.co/REzrC1D2Te
@valenilla_ Just constantly watching Lilo & Stitch and Stitch Has a Glitch are my sources of inspiration, but how I do it is all in the wrist for me. I pretty much mastered it by my freshman year of high school (2004). I was 14 at the time. These are my best examples:
Picked up a rare "vain colorful" shirt (.37 rarity) #halfling off the @Halflington floor a few mins ago for .013. Didn't really care for bee hive or BG, so I went to their website & used #TraitSwap. I was able to buy 🍄BG (.004) & switch out hive for 🍄, now look at my 🍄dude! 🔥
Whilst making “The Polar Express”, rollercoaster manufacturer The Gravity Group were contacted by the filmmakers to help consult on the coaster-like trip to the North Pole scene. The goal was to portray an out of control experience, while being realistic at the same time. (2004)