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📰 « La Bourse #RevelationsEmerige est depuis 8 ans un vecteur de mise en lien conséquent entre un artiste et une galerie parisienne. » via @Quotidiendelart
👉 Hugo Capron, lauréat du Prix 2021
🔗 Lire : https://t.co/U8pl78yv95
@b_porcher @mangion_eric @MaraHoberman
Vidéo dans laquelle je dessine ce portrait de parisienne : https://t.co/IpzAK5V0vo
Paul Gavarni, Baliverneries Parisiennes https://t.co/7OlmguBtT2 #museumarchive #cmaprints
"Le Baigneur", an illustration inspired by the french magazine from the first decades of the 20th century "La Vie Parisienne" https://t.co/01OaUurba8
1872-74.
‘La Parisienne’ oil painting of 1874 by Auguste Renoir; his model was actress-to-be Henriette Henriot (1857-1944) then aged 16. Silk taffeta/velvet walking dress @KSUMuseum, Charles Worth silk afternoon dress @metmuseum, day dress of ribbed silk @V_and_A #fashionhistory
#cartespostales La Journée de la Parisienne
La Toilette / Le Bain / L'Habillage / Le Petit-déjeuner
Unas libélulas de Robert Bruce Horsfall (Nature, julio 1926) y George Leonnec (La Vie Parisienne, 21/7/1934) para hacer compañía a las de Ilonka Karasz y Ronald Searle en @NewYorker
https://t.co/ieerzR7iiQ
➕#ilustración #illustrationart
➡️➡️https://t.co/HfGHOzbxLY
Constantin Guys, A Parisienne Seen from the Back, 1850s(?) https://t.co/Dt5pSmgRY8 #themet #lehmancollection
Another lady in blue, Auguste Renoir’s La Parisienne. Painted in 1874 it featured in the first exhibition of Impressionist art the same year. Reactions were mixed, but it’s now one of the stars of the collection bequeathed to the National Museum, Cardiff, by Gwendoline Davies.
Paul Gavarni, Baliverneries Parisiennes https://t.co/7OlmguBtT2 #museumarchive #cmaopenaccess
The handsome @jefftaur came to visit me last week, so, considering much both of us like centaurs, I surprised him with this redraw of the iconic Georges Léonnec artwork from La Vie Parisienne💐
(He liked it, in case you were wondering 💖✨)
#centaur #lgbt #teratophilia
14 juillet 1789 : Prise de la Bastille à Paris.
Venant de s’emparer de fusils et canons aux Invalides, la foule parisienne se rend devant la prison de la Bastille et exige sa reddition.
C’est le début de la Révolution française.
Armand Vallée, La Vie Parisienne 18/6/1927
y Phil Davis, Liberty 9/9/1933
➕#illustrationart #makeup #ilustration #illustration #illustrationartists #magazine
➡️➡️https://t.co/yQCuhhjfYv