画質 高画質

Illustrators who complete a mentorship with us are invited to add one of their assignments to our Illustrator Showcase.

This lovely piece is from Rebeka Ryvola. Check out their portfolio at: https://t.co/UeCPXalaF9

Visit our showcase at: https://t.co/NEXQf7tFSI

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A Random Alphabet full of Illustrators...F is for...Vladimir Fuka (1926-1977) a Czechoslovakian born American Illustrator & Author.

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A Random Alphabet full of Illustrators...F is for...Vladimir Fuka (1926-1977) a Czechoslovakian born American Illustrator & Author.

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Hello line drawing portrait commissions open. Starting at $15

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A Random Alphabet full of Illustrators...A is for...Maria Enrica Agostinelli (1929-1980) an Italian Illustrator & Visual Artist. Watercolours were her preferred medium, her characters and environments rendered in a very modern style

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A Random Alphabet full of Illustrators...A is for...Maria Enrica Agostinelli (1929-1980) an Italian Illustrator & Visual Artist. Watercolours were her preferred medium, her characters and environments rendered in a very modern style

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One of my favorite illustrators, Seino, drew it for me.
I really really really love it!

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whitewashing almost NEVER starts in casting. It's a REAL, intentional issue in comics, and editors, illustrators and colorists NEED TO BE HELD ACCOUNTABLE.

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An especially dreamy today, with a super beautiful piece from Gabriella Barouch, who we featured in Issue 12.

How magical is this? ✨

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and heres my original concept of her in my pixel art style, i always ask some illustrators to do a reference based on them because doing in pixel art make some body parts look vague to what they are

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In the male-dominated world of the 19th Century, Harriet & Helena Scott became two of Australia’s most prominent natural history illustrators. 🎨

Find out more about their inspiring work here: https://t.co/9RpfD4detK

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Hiya, Seabug is thrilled to feature in our marketplace launch. Well known for
, Richard's varied styles draw influence from master comic book illustrators.

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Old LOTR illustrations, just like other fantasy of the time, had a very ethereal, vibrant and unrealistic light because illustrators were not constantly trying to achieve cinematic looks

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