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Henri de #ToulouseLautrec 🇫🇷 (1864-1901)
"Au Moulin Rouge"
1890
They Woman with a Tub, 1896 https://t.co/n1REORZL3Q #wikiart #toulouselautrec
@themontmarte @marialves53 La Goulue Arriving at the Moulin Rouge with Two Women
Henri de Toulouse-Lautrec
1892
Debauchery (second plate), Henri de Toulouse-Lautrec, 1896 https://t.co/ychcahu76B #henridetoulouselautrec #museumarchive
The Jockey, Henri de Toulouse-Lautrec, 1899 https://t.co/sAxpU0N80I #cmaprints #museumarchive
Entering the Moulin Rouge by Henri de Toulouse-Lautrec
#skzxclassics #StrayKids
Pierreuse, 1889 / La Blanchisseuse, 1886 / Rosa La Rouge, 1887 / Carmen Gaudin, 1985
🎨 Henri de Toulouse-Lautrec (français, 1864 - 1901)
Henri De Toulouse-Lautrec (1864-1901).
Pierreuse, Carmen Gaumin, oil on canvas, 1889.
Provenance:
Aristide Bruant, Paris.
Collection Schoeller.
Jean Dollfus, Paris (by 1931).
Sacha Guitry, Paris (by 1950).
Mr. Henry Ford II, Detroit, Palm Beach and London, and by descent.
@smarucci461 @paoloigna1 @albertopetro2 @Rebeka80721106 @anthony77631293 @ceconomou56 @Dominiquepucini @BaroneZaza70 @renatoantares50 @yianniseinstein @erminiopasquat1 @claudioborlotto @javiango @Jadranka4love @JadrankaJovano5 @BLuismbm @arteeblog @marialves53 @MariangelaSant8 Buona notte Silvana e amici tutti 🌔💛#art Toulouse Lautrec ✨✨
Elles: Frontispiece, Henri de Toulouse-Lautrec, 1896 https://t.co/FPFrPkcwjl #clevelandart #museumarchive
Elles: Woman In a Corset, Henri de Toulouse-Lautrec, 1896 https://t.co/hH7Mj86kke #cmaopenaccess #clevelandart
At the Rat Mort, 1899 https://t.co/mFhjxCQJHW #wikiart #toulouselautrec
This will be forever my fav Toulouse-Lautrec painting. I remember discovering it in a gallery and just looking
Elles: Woman Sleeping, Henri de Toulouse-Lautrec, 1896 https://t.co/hQlWZSlf2d #clevelandart #cmaopenaccess
quick callieroxy painting !! pose taken partially from an henri toulouse lautrec drawing #homestuck i dont know whether to tag this as eyestrain but i certainly did use colors here asjgfadfj
Toulouse-Lautrec has painted the model Carmen Gaudin turning towards a light source so shadows fall across her face. Modestly dressed in dark, simple clothing, what is remarkable is Lautrec’s depiction of Carmen’s flaming red hair, augmented by her deep red lips.