[ The fragility of everything ]
[ C 26 · M 96 · Y 41 · K 5 ]

Acrylic on paper 21 x 21 cm

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In my drawing methods class we were tasked to make a landscape picture that utilized atmospheric pressure.

The basic jist of it is things farther away in the distance were more dull, and blended together, while things in the foreground had higher contrast and more vibrant colors

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I'm still not done, but here is part of it so far. I still got a background and some foreground props to finish (hence the cropped legs).

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First time actually drawing a or any form of foreground etc. Here's my submission~ since the last one wasn't a finished product

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I sure love myself a good crossover. Inktober Day 16: Angular.

Lesson learned: keep the background in mind while you’re shading the foreground.

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Read the latest part of our tutorial on backgrounds by Seiji Yoshida! In this part 3, he gradually works from distant background to the foreground while painting in the details. He uses aerial perspective to create a sense of scale.
https://t.co/uOfP2FHamd

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A hint of Autumn in the foreground in this new painting ‘Big Sky over Start Bay,’

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In this capriccio - or architectural fantasy - Old London Bridge is glimpsed. Painted by Italian Antonio Joli during the 1740s, it combines two genres: a foreground inspired by antiquity and a background of London including the bridge and St Paul's.

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also w/o foreground snow, no background, and background only!

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Day 10 - abstract shapes in the foreground are difficult to paint. But it was interesting to find out what you could and couldn't make out, and make it work. Reference from Giuseppe Tornatore's "Cinema Paradiso" (1988). Done in 30mins.

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Fall Of Tears - Foreground Eclipse

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Had a loooot of people write M|M comments below that artwork and laughed internally because the character in the foreground is female, haha. Arenanet's choice to not add boobs to their female charr sure was the right decision! So I wholeheartedly agree to your statement~

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On my last picture with Mt. Lady, I doodled a bunch of people in the foreground, and there was this one girl with drills for her hair and I kind of love her.

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Still working on this on and off--getting that storm down before I move to the foreground

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The character’s sword pierces the foreground in this stunning fan art from the anime Inuyasha.

“Tenseiga” by : https://t.co/AKpKU8hhuI

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Latest landscape finished - thankfully the foreground brought it all together. ‘Sprawl’ - oil on 60x60cm canvas.

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There is an outstanding sense of depth presented in this digital landscape, from the grain in the foreground to the crows and chaff circling in the light of the sunset.

“Dead and Getting deader” by AnatoFinnstark: https://t.co/IQZdYrFNMa

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Then came my new male secondary sona, Jag. He was cool and suave and masculine, and I immediately clung to him as a character that I deeply connected with. He was brought to the foreground for a while because his maleness was so refreshing to me. It just seemed right.

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I also lightly animated that last piece. For those who don't know what character in the foreground is, it's literally a walking coffee maker. In space. Nice.

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This JMW Turner view of the Ducal Palace and the Campanile is uncharacteristically sharply drawn- a tribute to Canaletto, whom Turner has painted in the foreground, working at an easel!

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