Watercolor painting, "Anemone," 10 x 7. A high key, delicate touch of a beautiful flower.

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Day, 14th of July, Everett Shinn, 1930.

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"Sacrificio" en parte inspirado en Ofelia de John Everett Millais, pensaba en el desgaste del sistema de salud durante la pandemia, sobretodo como afecta a los trabajadores.

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The Blind Girl, John Everett Millais.

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“King Lear, Act 1, Scene 1” 1898, Edwin Austin Abbey
“Lady Godiva” 1898, John Collier
Literally anything by John William Waterhouse, but def “Tristan and Isolde” 1916
“Ophelia” 1852, Sir John Everett Millais

Can you tell I’m a hoe for the Pre-Raphaelite Brotherhood or...? https://t.co/oM1owiWjCB

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191 years ago, founder member of the John Everett Millais was born. His First and Second Sermon paintings are a witty take on the ideals of Victorian childhood versus the realities. The little girl pictured is his daughter Effie.

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Born in 1829: English painter (1829-96), one of the founders of the

Portrait of Louise Jane née Goode, later Rowe (1843-1933), 1879

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Sir John Everett Millais was born in 1829, shown here from our collection are two works: 'Waiting' and a study for 'Ophelia'

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Watercolor sketch, "Red-cheeked Cordon-bleu Finch," 8 x 8. Found in Africa.

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BOTD - 08/06/1829 - John Everett Millais - CD criticised 'Christ in the House of His Parents' (1850) - "a hideous wry-necked, blubbering, red-headed boy, in a bed-gown" - despite which the two became friends - Millais drawing 'CD on his Deathbed' (1870).

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Daily Drawing No. 657. "Shark." Pen and Ink drawing, special techniques for the rocks and water coloring.

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Synch
Real name: Everett Thomas
Powers: bio-energetic aura that allows him to duplicate the effect of the powers of any super powered being in his vicinity and sometimes the power itself, essentially becoming "in synch" with that person.

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Bastille Day, 14th of July, Paris.

Everett Shinn (1930).

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Watercolor painting, "Lotus Flower," 8 x 8. The plant loses old blooms and adds new ones on a daily cycle,

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Drawing No. 656. "Tangerine." Colored pencil and a new sketch book.

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