In ‘Heretics’, published in 1905, theologian and poet G K Chesterton argues that where we seek praise of strongmen in the annals of war literature, we invariably find only tales that reaffirm the superiority of the small in stature and minority in number.

By 👇

0 0

In ‘Heretics’, published in 1905, theologian and poet G K Chesterton argues that where we seek praise of strongmen in the annals of war literature, we invariably find only tales that reaffirm the superiority of the small in stature and minority in number.

By 👇

0 0

In ‘Heretics’, published in 1905, theologian and poet G K Chesterton argues that where we seek praise of strongmen in the annals of war literature, we invariably find only tales that reaffirm the superiority of the small in stature and minority in number.

By 👇

0 0

In ‘Heretics’, published in 1905, theologian and poet G K Chesterton argues that where we seek praise of strongmen in the annals of war literature, we invariably find only tales that reaffirm the superiority of the small in stature and minority in number.

By 👇

0 1

In ‘Heretics’, published in 1905, theologian and poet G K Chesterton argues that where we seek praise of strongmen in the annals of war literature, we invariably find only tales that reaffirm the superiority of the small in stature and minority in number.

By 👇

1 1

In ‘Heretics’, published in 1905, theologian and poet G K Chesterton argues that where we seek praise of strongmen in the annals of war literature, we invariably find only tales that reaffirm the superiority of the small in stature and minority in number.

By 👇

1 1

In ‘Heretics’, published in 1905, theologian and poet G K Chesterton argues that where we seek praise of strongmen in the annals of war literature, we invariably find only tales that reaffirm the superiority of the small in stature and minority in number.

By 👇

1 1

In ‘Heretics’, published in 1905, theologian and poet G K Chesterton argues that where we seek praise of strongmen in the annals of war literature, we invariably find only tales that reaffirm the superiority of the small in stature and minority in number.

By 👇

0 0

In ‘Heretics’, published in 1905, theologian and poet G K Chesterton argues that where we seek praise of strongmen in the annals of war literature, we invariably find only tales that reaffirm the superiority of the small in stature and minority in number.

By 👇

0 0

In ‘Heretics’, published in 1905, theologian and poet G K Chesterton argues that where we seek praise of strongmen in the annals of war literature, we invariably find only tales that reaffirm the superiority of the small in stature and minority in number.

By 👇

2 2

In ‘Heretics’, published 1905, theologian and poet G K Chesterton argues that where we seek praise of strongmen in the annals of war literature, we invariably find only tales that reaffirm the superiority of the small in stature and minority in number.

Latest Illo by

11 18

Madonna of the Lilies
-1905, Alphonse Mucha

2 2

Moritz Stifter, 1857–1905, Austrian painter, Allegory of the Dream

3 25

Madonna of the Lilies
-1905, Alphonse Mucha

0 0

On this day in 1905, beat the in what was seen as the unofficial championship of the world.

My 'How Wales Beat the Mighty All Blacks' is a fully illustrated retelling of that famous day. The ideal Xmas gift! https://t.co/NJX2fGRwhp

18 89

Today is novelist Maurice Leblanc's birthday !
In 1905, a thief started whispering stories in his ear, and he faithfully wrote the tales of Arsène Lupin until his death, 80 years ago.
Why not celebrate by reading some of his muse and friend's adventures ?
https://t.co/1rtibSC9tI

38 69

Madonna of the Lilies
-1905, Alphonse Mucha

0 1

En 1905, les brasseries Burgelin, Rothenbach et Schaeffer fusionnent pour devenir la Société des brasseries nantaises. Elle s'installe dans le quartier Miséry. En 1931, elle est appelée Brasseries de la Meuse jusqu'à sa fermeture en 1985.

3 15

Edvard Munch - Two Girls under an Apple Tree in Bloom, 1905, Museum Boijmans Van Beuningen
oil on canvas

5 12

En 1905, una mujer le reprochó que su obra “La raya verde” (que representaba a su esposa) estaba mal pintada porque las mujeres no tenían la nariz verde.

Matisse le respondió: «eso no es una mujer, señora, es un cuadro».

Pues eso.

23 193