7. Favourite Director

Satoshi Kon - Perfect Blue (1997), Millennium Actress (2001), Paprika (2006)

Ça changera sans doutes à l'avenir mais pour l'instant c'est lui parce que littéralement ¾ de sa filmographie compte comme mes films préférés

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"Diagram of the Winds", one of several medieval cosmographic diagrams found in a 12th-century English manuscript. See more of its wonderful cosmographic imagery here: https://t.co/nqqTRBZmen

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Ryza's design continues to be so fucking unfair I hate it and by that I mean I hate myself for being the exact fucking demographic she's targeting lmao

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Centurion (2010) A non-horror film from Neil Marshall, but full of blood squibs anyway. It delivers on what you want from it, gory action behind enemy lines etc. In Marshall's see-saw filmography Centurion is in the middle, but I'll show up for whatever he makes.

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So, if Disney is making a black Ariel, what race is my Mermaid character in The Mermaid’s Quest? A MERMAID! Her humanoid portions are going to be inspired by tropical fish. She isn’t “coded” as any kind of IRL demographic. Because that’s not how I roll.⬇️

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the target demographic for this tweet is me specifically writing a horror romance about a guy who falls deeply in love with a shambling cannibalistic ghoul https://t.co/dsYqNfTbyR

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Glimpse the past.

Title page from the 1558 Italian edition of Cosmographia, by German cartographer Sebastian Münster (1488-1552).

Source: https://t.co/bupjssDu85

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It's still for kids, but it seems the directors have a problem knowing what's their demographic, I'm sure I would've been scared if I saw that gammamon frame on tv as a kid. Because I still rememeber getting scared with this

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THE SLATE SHOW: Take 1x00 “An introduction”

Welcome to the Slate Show with Liv and Row! In this introductory episode, Liv and Row let listeners in on how their brand new podcast will explore the filmographies of actors and filmmakers.

https://t.co/AV7Cg7NiOk

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New Weekly👋

Newsletter for independent designers.
(Designs that transform business demographics)

See you in the other side!
https://t.co/vOHlVZ4RTm

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今日はきゅうりのキューちゃんの日です。それに呼応するかのように暑い日です。
Lomo LC-A+/Lomography CN800 (フィルム両面露光/フィルムスワップwith fotobes)

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Tom Selleck's selected filmography
(from fic)

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Introducing Edgelord, the latest character reveal from the next chapter of

This flying Sparkling has targeted the teenage boy demographic with his juvenile humor videos.

The story continues this October 🔥

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Love your marketing salvo. That's why I plug a lot of my work on your tweets. Your demographic rocks and I'm taking a grassroots approach promoting my comics for people who don't wanna be force-fed politcal agendas in their stories over escapism.

https://t.co/FkahszdZNX

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Could it also be though that *shocker* these women comedians aren't doing comedy that is targeted at white men specifically and that MAYBE there's more than one demographic that comedians can target?!

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Flashback Friday: Originally posted Sept 8th, 2019

Not wanting a specific demographic to reproduce because you don't want them to spread certain attributes has a name, and yet people who don't want autistic, or honestly any ND/disabled people to have kids seem to forget that.

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Une nouvelle preuve de l'incroyable amour que porte l'éditeur anglais à la filmographie de Jackie Chan. Admirez ce somptueux visuel pour la sortie en décembre du classique Snake and Crane Arts of Shaolin (aka Le Magnifique en France) en Blu-Ray remasterisé 2K.

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For starters, bring back the fucking EDGE?

One of the biggest mistakes that slit Cartoon Network's throat is when they started isolating the older demographic. https://t.co/LPrdIJ4Rta

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I really love Stardust Crusaders. Before coming into my expectations were very low mainly because I expected it to be the Jojo part that’s more so cut out for the shonen demographic. And in certain ways it is but it’s really fun and pretty entertaining. And Jotaro Kujo is awesome

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