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@ArchivesCels Ep.16 is one of my favorites!
I love the screenplay of this episode and the camera work on the scenes just like only Morishita could do; it's a pity (for me) that Araki & Himeno were afterwards mostly teamed with Yamauchi and never got scenes like these again...
@JeremyCom Shopping around the CREEPSTERS screenplay! Worldwide rights available!
https://t.co/FLoW0dQlD5
@arvildon Welcome back!! Here’s my most recent pieces ~
The first and third pieces are OCs from my novels/screenplays!! 💕
Yet another adaptation of #williamgibsonsalien3 in the form of #alien3theunproducedscreenplay comic! With the story written by #jonniechristmas we are treated to this comic novel with some stunning visuals! 1/3
Crazy Cat Ladies and Alternate Roads, Reviewing Pat Cadigan's Alien 3: The Unproduced Screenplay by William ... | https://t.co/AwD9i5m5l8 | #Alien #Alien3 #WilliamGibson #PatCadigan #TitanBooks #MikeWorrall #Alien3TheUnproducedScreenplayByWilliamGibson #Xenomorph #XenomorphXX121
Happy to announce that my screenplay #Chronology has been selected into the Balneário Camboriú International Film Festival. Going into production next month! 🙏🏽
From the Captain Smalls #Screenplay:
"Robert places his hands on the spokes of the ship's wheel. This is the most empowering moment of his life.”
From #Artist, #JPCM:
"My main goal with #drawing Smalls is to establish empowerment. I depicted Robert in a solemn state."
#DRCM
OHMSS is a tough watch, at an ambitious 2hrs 20 min, screenplay-wise it feels like the bleakest of the Bond films until we reach the Craig era. Apparently George Lazenby had a frosty relationship with the director which didn’t add any warmth to a screenplay that’s a touch too icy
When I think of the late Keiko Nobumoto’s writing, I think of her incredible gift for memorable imagery, she had a brilliant mind and really it was her screenplays that made some of the shows that elevated the storytelling of the medium as a whole. I hope I can be 1/178th as good
'Art thou ready to give up thy skin tonight?'
Announcing my next project with @unbounders!
I'll be illustrating Blood on Satan's Claw by Robert Wynne-Simmons, a novelisation of his original screenplay for the 1971 classic horror.
CROWDFUNDING NOW..!
https://t.co/2DtkvQMoFR
"Like a movie unfolding across the big screen, London Bridge lures the reader into a war of terrorism"
#RT #HOLLOWMANSERIES #Mustread
#TheHollowMan @HollowManSeries
https://t.co/mcLKenFkJJ
Finalist in @PageTurnerAward Screenplay Awards 2021
REVIEWS: https://t.co/8BKhKSig1T
The framing of the poster was inspired by Francis Bacon's Crucifixion 1933, a painting that I've referenced frequently in my art over the years. It acts as a recurring theme in the concept art that was made to accompany a Frankenstein screenplay I've been working on since 2015.
December 1, 1995: Star Wars: The Phantom Menace: #OTD A Medusa senator by Iain McCaig: “There was no screenplay; it was given to us verbally. The joke was always, if you couldn’t figure out a place for [your concept], it was a Senator on Coruscant.”
@Vitreous_Glassy Howdy I'm ATS and I'm working on a screenplay/world starring these magical goobers!