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@yianniseinstein @martinis2018 @ritamay1 @Dominiquepucini @AnnaMar90949897 @marialves53 @Messe11 @Rebeka80721106 @claudioborlotto @GerardLDonadoni @Sensibilia8 @DavLucia @albertopetro2 @BrindusaB1 @JohnDante_ @MaxPriviero @agustin_gut @Petra71301259 @aralia_a @djolavarrieta @BB_Aesztia @migliaccio31 @Giorgio51589046 @erminiopasquat1 @ValerioLivia @CMX9NujRcQvVVwW @ceconomou56 @neblaruz @angela3nipoti1 @FriendArt_ @smarucci461 @paoloigna1 @BaroneZaza70 @Jadranka4love @MOCarballeira @mariagonzalezf5 @Make_u2_happy @albert_cunill @ViewArte @culture_more @CaterinaCategio @gori_magnani @licprospero @PaolaToogoodxme @EnricoCastrovil @Giannieternauta @revove22454 @BryanMatthews23 @henrirousseau12 🎨Giandomenico Tiepolo, pulcinella.1727-1804
Giovanni Battista Tiepolo, Anthony Leading Cleopatra in board https://t.co/NVbUhqjWmi #museumarchive #dkmuseum
Madonna of the Goldfinch, 1760 #giovannitiepolo #giovannibattistatiepolo
The Beheading of John the Baptist, 1733 #giovannibattistatiepolo #giovannitiepolo
Giovanni Battista Tiepolo, The Apotheosis of Aeneas, c. 1765 https://t.co/lScS2ECQ4X #giovannibattistatiepolo #museumarchive
Queen Zenobia before Emperor Aurelianus, 1717 #giovannibattistatiepolo #giovannitiepolo
The Virgin Appearing to St Dominic, 1739 #giovannibattistatiepolo #rococo
Giovanni Battista Tiepolo, Italian painter (1696–1770)
The Empire of Flora
1743
Fine Arts Museums of San Francisco
Giambattista Tiepolo, The Crucifixion, 1745–50 https://t.co/7HOvJ6f5g7 #museumarchive #slam
Giovanni Battista Tiepolo, A Group of Punchinelli Seated, ca. 1760 https://t.co/lGcY7Krvpi #lehmancollection #metmuseum
Giovanni Domenico Tiepolo, Seated Figure Seen From Below; Two Studies of Heads, 18th century https://t.co/C7xYMeCH9Y #giovannidomenicotiepolo
Giovanni Domenico Tiepolo, A Flirtation, ca. 1797 https://t.co/AoZ4HSwXii #giovannidomenicotiepolo #metmuseum
Giovanni Battista Tiepolo, The Apotheosis of Aeneas, c. 1765 https://t.co/vMShaHWDGx #giovannibattistatiepolo #harvardartmuseums
Giovanni Domenico Tiepolo, Pulcinella’s Farewell to Venice, pen and brown ink with brown wash over charcoal on laid paper, from Pulcinella, ovvero, Divertimento per li regazzi, 1798/1802 (National Gallery of Art)
Giovanni Battista Tiepolo, Man Leaning against a Horse, 1757 https://t.co/LKv93Y56IF #metmuseum #themet
The Holy Family Appearing in a Vision to St Gaetano, 1736 #giovannitiepolo #rococo