I might start using this platform more than IG, oh also TikTok!

Feels good to be back to do what I love, create! 🌱✨

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I'm Allen T. & I'm working on coming-of-age manga-styled anthro webcomic MAOR. ✌️
*check out my profile for comic links!

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i tweak perlin noise and static to get camo pattern i dont have to spend hours drawing!

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We’ve made it into the 120s! Vote for Follower and help us get into the top 100 comics!

🦘 https://t.co/wZLN4Ht8KH 🦘

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Sound effects are a great tool in a creator's kit, and emblematic of the medium we all work in - visual and textual, yet sensory, all at once. If you master them, it can only make your work better. Thanks for doing this as always,

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Done correctly, sound effects in "quiet" moments can really emphasize the quietness - like the sound of a pin dropping, especially if the moments are also small. Most quiet moments I've found are best served by pulling out the SFX, though.

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Not all the time. As a (mostly) static and (mostly) strictly visual medium, a lot of the power of certain moments comes from readers filling in non-visual details themselves. Using SFX brings precision, but avoiding them can bring power.

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I do: Observe the attached! They really add to a comic if used judiciously.

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The most common one I use is Impact. It leaves an impression while not being overly intrusive - good if you're adding SFX to a page that has lots going on. I'll go fancy if the page needs though - in those moments, choosing a font is half the fun.

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Hey there . I am, as ever, Patrick Tsao, lead artist on by - its a military sci-fi drama in the vein of Battlestar Galactica, except with aliens instead of cyborgs. Good to be here as always.

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Ahoy! Late but here all the same - I'm Patrick Tsao, the main artist on by - its a military sci-fi drama in the vein of BSG, but with aliens instead of cyborgs. Check it at https://t.co/xjgM9idraM - good to be here

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