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La etapa azul de Picasso transcurre entre 1901 y 1904, en •Barcelona.
El período rosa o época rosa se desarrolla entre 1904-1907 en •París. Ambas gamas cromáticas de las pinturas marcaron notablemente la tonalidad de sus cuadros.
La Vie (La Vida),1903
Muchacho con Pipa, 1905
"The View from Palomar" (1958) by American artist, Dorothy Dehner (1901-1994), paper etching; the title may allude to the view through the telescope on Mount Palomar @britishmuseum https://t.co/c7hVK4e9ZO
Born #OnThisDay in 1840: #CharlotteofBelgium (1840-1927), Empress of Mexico as wife of #MaximilianofAustria, daughter of #LeopoldI
Portrait as a child by her cousin Queen Victoria (1819-1901)
#CarlotadeMéxico #SaxeCoburgGotha #Habsburg
#ChildrenInArt
Picasso's Blue Period was roughly between 1901 and 1904. The sombre tone of the work was possibly inspired by the suicide of a close friend.
"I started painting in blue when I learned of Casagemas's death" - Picasso
#art #painting #pablopicasso
@MOCarballeira @ceconomou56 @claudioborlotto @1Atsuhimerose2 @dianadep1 @marmelyr @angelicadisogno @ampomata @LuciaTassan @BrindusaB1 @djolavarrieta @scastaldi9 @bmarczewska @ScrivoArte @neblaruz @lissablu68 @albertopetro2 @agustin_gut @CristianeGLima @monica74761144 @alleosa @bgv_online @ritamay1 @Rebeka80721106 @BaroneZaza70 @CaterinaCategio @famartinez2001 @karmendida @Make_u2_happy @maluisa_3 @barrywyman2356 @Natanaelmiangel @Navymat @simonjetz @LunaLeso @piero_agnello @DMGillikin @Pontifex @Pontifex_es @smc_su @AhmetDuranHergn @ars_omnis @KalinaBoulter @Karacyr_1970 Kate Greenaway (17 March 1846 – 6 November 1901) was an English children's book illustrator
@ritamay1 @djolavarrieta @LunaLeso @barrywyman2356 @Werp1Ant @dianadep1 @martinis2018 @olgatuleninova @BB_Aesztia @albert_cunill @cristob45 @BPerrionni @anne_camozzi @Spiros209 @bostervang @alleosa @neblaruz Kate Greenaway (17 March 1846 – 6 November 1901) was an English children's book illustrator-Ο χορός των λουλουδιών. Ιδιωτική Συλλογή
Maximilian Pirner was a Czech painter whose s usual themes were classical mythology and the macabre.
'The End of All Things - Finis' (1887)
'Funeral of a Fairy' (1888)
'Medusa' (1891)
'Hekate' (1901)
‘La Reine Victoria et Madame Kruger’ by Jean Veber (1864-1928)
L’Assiette au Beurre, 1901
Zincographic colour print
#JeanVeber #MuseumFromHome #cartoonmuseum #ukcartoons #ukcomics #DidYouKnow #FollowAMuseum
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叶昀(1901—1983) 字仰曦,号松荫。满族叶赫那拉氏。昆曲艺术家、书画家,我国现当代著名的满族画家。20岁时正式拜溥侗为师,学人物画。29岁时参加中国画学研究会。人物画以线描见长,山水师法刘松年、蓝瑛,笔墨酣畅洒脱 https://t.co/pw0nFpGZmr
叶昀(1901—1983) 字仰曦,号松荫。满族叶赫那拉氏。昆曲艺术家、书画家,我国现当代著名的满族画家。20岁时正式拜溥侗为师,学人物画。29岁时参加中国画学研究会。人物画以线描见长,山水师法刘松年、蓝瑛,笔墨酣畅洒脱 https://t.co/pw0nFpGZmr
叶昀(1901—1983) 字仰曦,号松荫。满族叶赫那拉氏。昆曲艺术家、书画家,我国现当代著名的满族画家。20岁时正式拜溥侗为师,学人物画。29岁时参加中国画学研究会。人物画以线描见长,山水师法刘松年、蓝瑛,笔墨酣畅洒脱 https://t.co/pw0nFpGZmr
叶昀(1901—1983) 字仰曦,号松荫。满族叶赫那拉氏。昆曲艺术家、书画家,我国现当代著名的满族画家。20岁时正式拜溥侗为师,学人物画。29岁时参加中国画学研究会。人物画以线描见长,山水师法刘松年、蓝瑛,笔墨酣畅洒脱
Before Piet Mondrian developed his characteristic geometric abstractions (far R) he painted in a much more naturalistic style ~ here, his impressive ‘Apples, Ginger Pot and Plate on Ledge’ ■ and ‘Landscape near Arnhem’ (1901-3)
La belle dame sans merci by Frank Dicksee (1901)
Le Bassin aux nymphéas : harmonie rose by Claude Monet (1900)
The Roses of Heliogabalus by Lawrence Alma-Tadema (1888)
Ruines gothiques by Victor Hugo (1855)