A colourful Thursday from a carved stone head that once decorated a building, representing a young woman with a wimple, 1300s, artist unknown

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Thursday my ink version of a stone head that once decorated a building, representing a young woman with a wimple, 1300s, artist unknown

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Thursday Stone head of woman with wimple 1300s

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With this portrait, I hit the middle point 25/50 of the 💪🏼 (even though I am like 5 heads behind)
Swipe to see some other heads that - at least for me - didn't turn out that great, but not all can be perfect, right? 🙊

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Day 85 - 100 Day Portrait Challenge. Graphite and charcoal sketch of s - reference photo shot by .
Hosted by artist . .
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https://t.co/56jLBu1XMI

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Just had to create a response for ’s portrait he did of my head within 30 minutes - and it’s really challenging! Let’s try and make this become a thing.

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8/50 of the 🙊
I still haven't been able to keep it up daily, this time I'm doing it a bit on my own way, but it's still valid, right? 🤣
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The Persian Prophetess, my version for detail from Hartmann Schedel’s Nuremberg Chronicle, woodcut artist from the workshop of Michael Wolgemut (1493)

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And so she updates her profile for the filming of “I’m a prophetess get me out of here” inspired by the woodcuts of Michael Wolgemut 1493

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6/50 of the 🙊
These I still got done on the first day but I had to put the challenge on pause for the weekend cause I got busy.
But I'll get back to it soon! 😊
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Saint Sempf, painted by Melmo Crisenfi in 1476

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My take on Saint Stephen as painted by Carlo Crivelli for

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a totally surprising version of Saint Stephen by Carli Crivelli. I started and ...

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My contribution(s) for the by . Couldn‘t decide on the colouring so here are two versions 🤷🏻‍♂️
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Recent Christmas commission Completed and off to its new home. Anyone interested in having their wedding pictures painted onto canvas give me a message.
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After, 'Unknown Woman', by Ivan Kramskoi, 1883

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My attempt at today's Self portrait by Sarah Baffin. I fancied trying it in oil pastels after initial charcoal sketch. Difficult getting detail especially the eyes with oil sticks on the size of card I was using but still enjoyed trying. https://t.co/VQSXGblfhu

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My quick charcoal version of yesterday’s Five O’Clock Tea magazine cover by Peter Newell

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