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The Storm on the Sea of Galilee
-1633, Rembrandt
#art #aesthetic #paintings #rembrandt
기자 대피라미드 내부 탐색,1820-30년경,알레산드로 산퀴리코 Alessandro Sanquirico
명상중인 철학자 혹은 휘감긴 계단과 노인,1632, 렘브란트(추정) Rembrandt
몽테뉴와 타소,1821,프랑수아 플뢰리 리샤르 François Fleury-Richard
파르네세궁 한켠의 장면,1765,위베르 로베르 Hubert Robert
Whilst citing @sothebys coming sale Rembrandt's tiny 1632 "Self-portrait in Hat" LEFT-Over Half a Century's research we rediscovered two of his lost "Self-portraits" RIGHT "c.1630 Self-portrait" with Infra-Red Reflectographs of Bold"Underdrawing" & other "Pentimenti Studies"🧑🎨
This is one of my favourite little paintings by Rembrandt. Jeremiah (1630) is lamenting the destruction of Jerusalem. The feeling of sadness & loss is palpable. The miller’s son really understood & translated emotion. Viewed in the museum, the sadness is devastating.
Idk if anyone needs one today, but my Jellicent, Beau, and my Walrein, Rembrandt will absolutely be your new dads if you want them to. They look grumpy, but only because they'll beat up anyone that hurts your feelings 👊
Today's pick: Rembrandt Harmensz. van Rijn: Jesus Preaching https://t.co/paMReQOXsq
ロンドンより愛をこめて。the @nationalgallery exhibition is finally open @nmwatokyo. 61 masterpieces visiting japan for the first time - from rembrandt & vermeer to degas & monet #cultureconnectsus @london_2020art @ukinjapan
I drew @Technothepig as one of those Rembrandt portraits ! I had fun doing this :))
Rembrandt van Rijn.1606-1669. Man seated on the ground with one leg extended.1646. Etching.
A dash of Rembrandt here as the angel leaves the family of Tobit: beautiful scene by Rembrandt's pupil Jan Victors. It's been his day today.
"Captain William Baillie [1723-1810] was an amateur in art. He amused himself in what he called "etching" but what Rembrandt, would call "scratching". He could not draw, nor had he an eye for effect. He considered his own plate to be an improvement on Rembrandt's Three Trees. 1/2
Today's pick: Rembrandt Harmensz. van Rijn: The Good Samaritan at the Inn (1642) https://t.co/7JSEhboooL
Woman Reading, c. 1606–69 Rembrandt van Rijn (Met Museum) It looks that she's enjoying her text.
Incredibly, Rembrandt's definitive 1632 "Portrait of Mother Neeltje van Rijn"is just 48mm High, yet one of his most "Lifelike" and powerful "Personal Masterpieces" obviously of profound importance to him when studying other Miniature Painting on Ivory in early 1632 Leiden Years🧑🎨