Estamos todos en la misma barca. -Rembrandt

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The Storm on the Sea of Galilee by Rembrandt is one of the most spectacular missing paintings in the world.

There has been no trace of it since its theft from the Isabella Stewart Gardner Museum in 1990.

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The Storm on the Sea of Galilee
-1633, Rembrandt

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arte x referência

ELITE ///// Garota na Moldura de Quadro, de Rembrandt https://t.co/PjXF6MCIWO

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Plenty of time to finish paintings these days: Sunset Over Brighton (Rembrandt pastels on pastelmat paper, 40cm x 30cm)

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Today's pick: Rembrandt Harmensz. van Rijn: Jacob Blessing the Children of Joseph https://t.co/aqXLjhTcrM

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Stay positive and enjoy the little things this night: print made by van Rhijn, ca.1640, coll. https://t.co/wRGtI2L3Q1

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Man met een tulband en een schelp, 1620, Abraham Bloemaert
In ‘Hier. Zwart in Rembrandts tijd’, ,

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"Owocem bowiem światłości jest wszelka prawość i sprawiedliwość, i prawda. Badajcie, co jest miłe Panu. I nie miejcie udziału w bezowocnych czynach ciemności, a raczej piętnując, nawracajcie tamtych. " (Ef 5, 8-14)

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Dutch painting is represented by all the greatest exponents of the school. Jan Lievens (c1631) Portrait of a Young Man, Rembrandt (c1645) Woman in Bed & Self-Portrait aged 51 (1657). The Lievens is arguably his greatest work

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George bought art and bought well, some fine paintings by Rembrandt (Portrait of Jan Rijcksen and Griet Jans, “The Shipbuilder and his Wife”), Rubens and other Old Masters. He also bought British art, this Gainsborough (Diana and Actaeon) and an excellent James Ward, for example.

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Plague visionaries: how and tackled Much of Europe’s greatest is haunted by – but amid the death are testimonies of love. Can these masterpieces guide us through today’s crisis? https://t.co/qb2HHRCTEA

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“The storm on the sea of Galilée”. (1633). Dutch golden age painter Rembrandt van Rijn.

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I’ve been working on this painting for 7 weeks now. The original reference was a Rembrandt painting. I’ve been struggling with this from the start and now after 7 weeks I decided to scrap all of the background and put her in a swamp. One day left on it next week.

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The Storm on the Sea of Galilee
-1633, Rembrandt

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Rembrandt.
Christ before Pilate, 1636.
Rijksmuseum, Amsterdam

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He charged his students hefty fees and made money from their works. Arnold Houbraken, biographer of Dutch Golden Age painters, wrote that he was so greedy, Rembrandt’s students painted gold and silver coins on the floor to see him try to pick them up…

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Muy recomendable la exposición temporal, y el retrato en Ámsterdam, 1590-1670

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Rembrandt Harmenszoon van Rijn-Never went abroad, but was influenced by the Italian masters & Netherlandish artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, and Flemish Baroque Peter Paul Rubens. For 20 years he taught many important Dutch painters

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