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Vintage Japanese Kelloggs.
https://t.co/2Oxj1QBCkC
Frosties (1963), Fruit Pon (1965), Honey Pon (1967), Broncos (1975)
"Nymphs at the Well", Eduard Veith (30 March 1858 - 18 March 1925), Austrian
Art and the park: Jan Brueghel (1568-1625), the Elder...... complete catalogue........ https://t.co/ZwBElv9FBx #art #Breughel
@BryanMatthews23 @HeinzRudolf1551 @ZitoMaia1 @JohnDante_ @LRonLacy @DelficaW @carmelitequotes @scastaldi9 @_die_Uta_ @IanMillett1 @anne_camozzi @StellaAmato4 @kh_hildreth @catyalesson @jablan @DavLucia @albertopetro2 @Rebeka80721106 Thank you Dear Bryan! 🙏
"Odysseus in front of Scylla and Charybdis"(1795), Johann Heinrich Füssli (1741-1825).
Last days to visit the exhibition dedicated to this tortured artist at the Musée Jacquemart-André in Paris, until 23 January.
~COMMISSIONS OPEN~
Heya, really really need to make my car payment ($165), I am open for ALL types of commissions! Large to small! RT's really appreciated! <3 TYSM!!
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#furryart #furryartist #furryfandom #furry
DAREDEVIL #9 ships March 29th and here are all the covers by Checchetto & Wilson, Ba (1:25), and Ross (and 1:100 Ross sketch)
One of the great triumphs of science in the Renaissance were Leonardo’s botanical studies of plants. Lady with Unicorn (c1480), Lily (1480-5), St Jerome (1480) & St Sebastian (1480-1). St Sebastian was often used as a coded symbol by gay artists.
1) Henry Fuseli (1741-1825), “The Nightmare” (1791), oil on canvas. 2) R. “Shmendrik” Crumb, “The Nightmare” (1995), limited-edition colour print. 3) R. Crumb, “The Nightmare” (1995), limited-edition lithograph. 4) R. Crumb, “The Nightmare” (2016), signed colour print.