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Ulysses 31 (TV 1981-1982).
Left: early design of the Odyssey, in the first pilot.
Longtime #Chihuly enthusiasts know of his classic “Macchia,” large singular forms full of color and energy, but few know that he’s also made smaller “Macchia” sets such as “Dappled Rose Macchia Set” (1982). Explore this dynamic series at https://t.co/riUAMehEzn.
Donce Far Niente (1879), Flower Stall (1880), The Household Gods (1880) & Diogenes (1882). The influence of Alma-Tadema, Leighton & Moore is seen in these works
25 janvier 1782 : escadres française et anglaise s'affrontent pour le contrôle de l’île de Saint-Christophe. De Grasse parvient à prendre l'île mais il perd l'occasion de vaincre Hood avant sa jonction avec Rodney. Il le paiera lors de la bataille des Saintes (avril 1782).
Early concept art for TRON (1982).
I watched a discussion of this film by Red Letter Media the other day, in which they were sort of laughing at how crummy the film looks. I couldn’t disagree more—I think it looks beautiful. Almost every shot is worth a screenshot to me.
@TitanBooks Blade Runner Sketchbook (Blue Dolphin Enterprises, 1982).
Creature designs by Ken Ralston for STAR TREK II: THE WRATH OF KHAAAAN (1982).
It's October, everyone! 🎃 Which means it's time for spooky facts & features, Japan edition. This is a yūrei-zu 幽霊図, or "ghost image," by Tsukioka Yoshitoshi (1882). Here we see an image from Yoshitoshi ryakuga with a painting of a ghost come to life. #spooktober #👻 #Japan
THE SECRET OF NIMH (1982). Though the film was a moderate success at the box office, it received acclaim for its animation. And indeed it’s visually spectacular, with its celestial color palettes and the effective use of rotoscoping and backlit animation (for the glowing eyes).
Elisabeth Chaplin🎨 French Tuscan painter in the Nabis style. (1890-1982). #ArteYArt
Now seated for a rewatch of Slumber Party Massacre (1982).
