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John Everett Millais, The Hidden Treasure, 1864 #tatemuseum #johneverettmillais https://t.co/RtGuOyqllp
John Everett Millais, The Rich Man and Lazarus, 1864 #museumarchive #johneverettmillais https://t.co/PkzmesnPJH
Sir John Everett Pippa #realism #millais https://t.co/Cy6F7nYsR6
John Everett Millais, The Good Samaritan, engraved by the Dalziel Brothers, 1863 #museumarchive #johneverettmillais https://t.co/qTLgE4nf1o
Victory O Lord!, 1871 #romanticism #johneverettmillais https://t.co/Vvo8JqAQ4R
✨ "Sleepwalkers" is a digital collage by the Clayshaper. Based on "The Somnambulist" by John Everett Millais in 1871.
📜 #beautifulbizarre #digitalcollage #darkartistries #occultart #collageartists #darkaesthetic #sleepwalker #johneverettmillais #thesomnambulist
John Everett Millais, The Unjust Judge and the Importunate Widow, 1864 #tatemuseum #museumarchive https://t.co/prOW1wLvPt
#Woodensday Millais' 1860 illustration of the Crawley family for Trollope's Framley Parsonage, with a lovely old-fashioned wooden cradle (notice the little detail of the doll on the floor) https://t.co/93ui9Mpyvj
John Everett Millais, The Prodigal Son, 1864 #museumarchive #tatemuseum https://t.co/a7H47JanAt
John Everett Millais, The Good Samaritan, 19th century #johneverettmillais https://t.co/q5lAjalpmg
But blowy? It’s 24mph winds here in Scotland today so up & away with windswept Fairies by Arthur Rackham for this week's #MagicMonday along with a sketch by Millais in which he jostles with the weather whilst painting at the Brig O' Turk in 1854. Hold on to your hats (& easels!)
John Everett Millais, The Good Samaritan, 1864 #tatemuseum #johneverettmillais https://t.co/KJAdFmo2wJ
A Byleth sketch I couldn't seem to finish since last year. Lowkey based on Ophelia by John Everett Millais.
John Everett Millais, The Lost Sheep, 1864 #tatemuseum #johneverettmillais https://t.co/h5uZEF4hJ8
Sir John Everett Millais, Bt
The Unjust Judge and the Importunate Widow -
published 1864
John Everett Millais, The Hidden Treasure, 1864 #tatemuseum #johneverettmillais https://t.co/RtGuOyqllp
Sir John Everett Millais (a Pre-Raphaelite) links the #C18th “fancy paintings” of Mercier, Reynolds & Gainsborough & the nostalgic sentimentalism of the Victorians with “My First Sermon” & “My Second Sermon”. Do you see how these later inspired Norman Rockwell?
#ArtLovers
1863
John Everett Millais, The Rich Man and Lazarus, 1864 #tatemuseum #museumarchive https://t.co/PkzmesnPJH
A Winter's Tale #johneverettmillais #realism https://t.co/Zd1mPeHDrz