In seiner bewegenden Graphic Novel "Parallel" erzählt Matthias Lehmann die wahre Geschichte des Opas seiner Freundin, der seine Homosexualität nur heimlich und unter Gefahr leben konnte https://t.co/Znlh7IvcXD

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Giuseppe Bernardino Bison, The Nativity of Christ, with Shepherds and Kings in Adoration, ca. 1782–1844 https://t.co/TVbWCI7i6z

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Giovanni Battista Tiepolo, Caricature of a Seated Man with a Book and a Cane, 1760 (?) https://t.co/jpLQeYHziZ

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'Changing Forms: Metamorphosis in Myth, Art, and Nature, 1650-1700' opens at the Frances Lehman Loeb Art Center

Read more about this here: https://t.co/XHRJuYf0Ix

Subscribe for free to ArtDaily Newsletter: https://t.co/KAjH8fOjK2

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Francesco Tironi, View of the Island of San Giacomo in Paludo, late 18th century https://t.co/gUUrH8RLsE

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Eugène Delacroix, Hamlet and Horatio in the Graveyard, 1827–28 https://t.co/luw7LE1GjX

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Giovanni Domenico Tiepolo, Caricature of Two Women Seen From Behind, late 18th century https://t.co/UdOaETr3fa

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Giovanni Domenico Tiepolo, The Baptism of Christ (with Christ Standing at Left Center, His Back Turned, and a Youth Stripping in the Right Foreground), ca. 1770–90 https://t.co/ylURhPsPRs

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From Chelsea Lehmann’s ‘Corporealities’ exhibition at last year, Broken Embrace, 2020, oil on board.

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Camille Corot, Diana and Actaeon (Diana Surprised in Her Bath), 1836 https://t.co/FwXqauhMf4

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Maestro Daddesco, Annunciation in an Initial M, ca. 1310–15 https://t.co/6kjEUz3xd5

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🏔 Alpenflora:
München: J.F. Lehmann, 1905.
https://t.co/ileAeiKbYi

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Francesco Morone, Virgin and Child Enthroned between Saints Cecilia and Catherine of Alexandria, ca. 1510–15 https://t.co/dG3nY2KGB0

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Hubert Robert, Equestrian Statue of Marcus Aurelius, 1757 https://t.co/SW4c3Gthd0

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