Random sketches using mud and sand from local heath with oil pastel, watercolour and charcoal. Hands in earth and page. Making marks. Literally letting land shape my expression.

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"Moonlit Sea" another & panel - showing the slowly passing over a troubled - I was experimenting with and and building up layers of graphite

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A couple of places left

Handmade Brushes & Mark Making with Botanical Inks
17 OCT 3–5pm


Islington N1 8AB

Book online https://t.co/NVPyXgxMxy



P:

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Large work from my Philippine exhibition - 'The Island' : acrylic on paper 100cm x 85cm.

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Exploring emotion through abstraction. Check out these gorgeous results!

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I love working on a large scale - on paper, canvas or walls!

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Exploring mark making with my daughter today. She’s six and a budding young artist.

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My first response to high desert landscape and Monument Valley. 2 oil pastel sketches. Firm marks!

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I send this off in a stupor just a bit ago and i haven’t technically heard the final Yay on delivery (ie if I missed/misinterpreted something and gotta touch up more) but dang this was a 4 hour portrait instead of two and I got to luxuriate over markmaking in it EVERYWHERE

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Combine the versatile qualities of with contrasting textures of other media to make dynamic paintings. You will explore colour, markmaking, composition, brush techniques and surfaces on Christine Forbes' school. 26 July-1 August: https://t.co/SPePML5wjb

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Remember this - 2 stages of wip and my 'art law' on failure?...it got a work over. Drastic but better. It joins the 'possibles' for making to full on finished pieces

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