画質 高画質

A WONDERFUL REVIEW of our SIDEWORLD: HAUNTED FORESTS OF ENGLAND, on this episode of the Midweek Horror as well as a very flattering rundown of Rubicon Films' previous narrative work.

Starts 07:00

https://t.co/QmqJif0DXf

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1. I feel they are better suited for a potential Shadow movie. Using them in movie 3, could potentially ruin any potential for a movie that is about Shadow and his lore.

2. The black arms + Shadow’s origin could risk taking away the narrative from Sonic and the others-

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I got this collection where I try to represent emotions through colours. Each of these tell a different narrative and symbolises one particular emotion which I’ll leave for you to discover.

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49. To The Moon

Want to see Comic cry? This is a sure fire way. This is one where there’s so little gameplay it might as well be a book, but books don’t have such wonderful music, so no, I think it is a great game, as far as narrative RPG-maker games go.

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I’ll start!
Hi I’m Toby, when I’m not drawing flying crocodiles I like to paint narrative fantasy illustrations with a focus on world building 💜

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"There’s no narrative bridge between the other campers being skeeved out by your reputation...and wanting to be with you, especially when your character admits during runs that they only want to make the numbers go up so they can successfully fuck."
https://t.co/V6SUNhSvxe

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💛🌍 We were thrilled to interview illustrator, writer and cartoonist this month in The Live Hub! Megan illustrated the world’s first carbon-neutral climate change kids book, The Tantrum That Saved the World and we discussed narrative, compassion and humour.

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🌜’Lion Lover’s Leap’ 🦁
A3 watercolour and pen, collab with Stuart Parkinson 🐍

Part of ‘Transcendental archaeologist’; a series made during first covid quarantine
🐠 Available as an A3 print on my website

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‘🌊Get in the Sea’
A4 Watercolour, crayon and ink

Part of ‘Transcendental archaeologist’; a series made during first covid quarantine
🐠 Available as an A4 print on my website

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‘🦅Eye of the Bird, Heart of the Man🫀’
A4 Watercolour and ink

Part of ‘Transcendental archaeologist’; a series made during first covid quarantine
🌬Available as an A4 print on my website

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‘💀Living on the Edges🌵’
A3 watercolour & ink
Part of ‘Transcendental archaeologist’; a series made during first covid quarantine. Available as an A3 print on website

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‘Reach Out & Touch Me’ A4 watercolour and ink, part of series called ‘🔮Transcendental Archaeologist🪞’ created during the first covid quarantine. The image is available as a print on website💫

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What would GM and GN fused with fine art look like? I envisioned both concepts for the gallery. Clouds pour from her hands, stars cover the ground, blue sky. Is it day or night? Let your mind transform the narrative, my frens. ✨🌙☁️

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I: BEAKON

like a lighthouse on salty shores, BEAKON’s elucidation pierces the fog and grog of slumber

without a guide, the void’s waves simply smash us against the rocky outcroppings of our waking mind

fragments of memories fashioned into nonsensical narrative

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Completely blown away by this issue from & Wonderfully paced with a narrative that builds to a twist in the end you don't see coming No way anyone can read this and not come back for more! Spoiler-free review -> https://t.co/qVgBBV7ljl

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Ross Long is a mixed-media artist and illustrator based in London. He creates visual narratives which combine qualities of expressive textures, light and colour.

🐋 Explore more of his folio:
https://t.co/SzaJnohQmb

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Happy and 🐭🏳️‍🌈🐍

I haven't forgotten about these boys, they should return next month. Since the next part is continuous narrative, I need time to draw these all together as opposed to weekly to keep the art as consistent as possible

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コレクション報酬、プリズムカルタチケットをゲット♪
で、引いてみた結果は、、、
シャルルちゃん、ね。



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