I cried the first time I saw a giant flemish rabbit

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Catharina van Hemessen (1528 - c. 1565), Flemish Renaissance painter known as creating the first self-portrait of an artist (of either sex) depicted seated at an easel

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Commissioned by Eazl Projects / Ian Fleming Foundation my painting ‘Bond Arriving at the Devil’s Own Stone Circle’ due to be shown May then central London, proceeds going to Beanstalk Children's Charity.

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"The Amazing Collection of Joey Cornell" is on shelves today! Written by Candace Fleming, illustrated by our artist Gerard DuBois, and published by ! Get your copy today!

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The Name’s Bond. James Bond. 007 💥Here are a series of Adobe Illustrator fan art pieces inspired by the greatest spy in the world. , , ,

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[comic] Giant Days by John Allison, Liz Fleming, Max Serin, Irene Flores, Whitney Cogar, Kieran Quigley

Still the absolute best.

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Jerome Fleming exhibiting in Phoenix this March. To see this artist's work in person visit https://t.co/m0dDi4PLxM

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3/4 "Just as himself worked from Flemish prints and engravings, Parker used the illustrations of McManners' book to serve as inspiration for the final portion of the composition...dynamic characters that interact with one another." The Legacy of Spanish Golden Age Art

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And not-so-strangely enough the lumia effect is actually depicted in some of the concept art. Like this one by Bill Fleming

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Fighting roosters, a lurking cat, and a pickpocket enliven the overflowing abundance of a Flemish market stall in this nearly life-sized Baroque painting by Frans Snyders—#NowOnView in European Art.

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flemish beauty pears, painted by l. c. c. krieger, 1935

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Paxton's magazine of botany, and register of flowering plants. By Fleming, C. J. London; Orr and Smith. 1835-1849 https://t.co/3lQpHI0eBd

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Jan Brueghel the Elder (1568 – 13 January 1625) was a Flemish painter and draughtsman. He was the son of the eminent Flemish Renaissance painter Pieter Brueghel the Elder🌟🌹❤️🌹❤️🌹

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28/33 These powerful diagonals shunting through the picture are a hallmark of much Baroque painting.

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27/33 He's arranged his figures and contrast clashes so that each has a directional thrust . . .

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