Warm up today! Featuring Faust and my sabers, Amaretto and Curacao! Now time to start poking people for trades

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2/2 Mars’s view, given to us in the mirror. Clever Tintoretto!

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The Rescue of Arsinoe, by Jacopo Comin (Tintoretto) (1518 – May 31, 1594) https://t.co/oi8TgSP4VI

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Mahouka Koukou no Rettosei Vol.29 – Jun 8, 2019

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Re-upload of this piece I did of my fursona, Amaretto because I noticed I accidentally left out some eye markings, haha. I guess that's what happens when this is your first digital piece of your sona and you have no digital ref, lol

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Finished my first piece of digital art of my fursona Amaretto! I experimented with a lot of new techniques in this piece, and I absolutely adore how it turned out!^^

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Comic Alive 7: Mahouka Koukou No Rettousei.

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A WIP of my fursona Amaretto discovering she has a free coffee at her favourite coffeeshop! I love how this is turning out, and this is my first digital piece of her!^^

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‘Venetian Prints in the time of Tintoretto’ is on view until 9 June 2019 in Washington together with two more exhibitions devoted respectively to the artist’s paintings and drawings. Below, ‘The Virgin Appearing to St Jerome’ of 1588, by Agostino Carracci after Tintoretto.

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Hi, I am Margrise. I'm 20 years old from Poland, recently listening a lot to Eddy de Pretto. Here are some of my recent works.

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Mahouka Koukou no Rettosei Vol.29 Cover

Release: Jun 10, 2019

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Today's pick: Il Tintoretto: The Washing of the Feet (1549) https://t.co/8iL5fYbmDW

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Ho chiesto ad un amico direttore d’orchestra - - di abbinare brani ad una serie di opere raffiguranti strumenti musicali.



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🖼 Hans Memling, Giudizio Universale, 1467-1473ca,

🎵 https://t.co/BBn9Uo3M7E

https://t.co/tYSir6hTUs

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Y así también se lució con su versión de Silvia Lazaretto, protagonista de (https://t.co/WpNvpnQfcx)

Pidanle comisiones cada que las tenga disponibles, para que así obtengan waifus con todo el "ass-kicker" appeal, vale toda la pena del mundo.

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Auguriamo ai nostri lettori una serena con il “Paradiso” di Jacopo Robusti, detto Il dipinto più grande al mondo fu commissionato per la sala del Maggior Consiglio a seguito del tragico incendio che la devastò nel 1577.

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