BonnardのTwitterイラスト検索結果。 288 件中 9ページ目
@DamienKempf « Majestic cats » by the talented Pierre Bonnard
The female nude was Rose Hilton's chief subject, building on the legacy of Bonnard and Matisse, the 90s saw abstracts, layered fields and veils of deliquescent colour, pointillist dots & dashes & dancing forms, her postmodernist homage to Patrick Heron.
@Rebeka80721106 @karmendida @BaroneZaza70 @FlaminiMarina @matibo11 @arteeblog3 @Papryka5 @smarucci461 @Hakflak @BPerrionni @bmarczewska @erminiopasquat1 @PasqualeTotaro @ValerioLivia @lagatta4739 @_MaryB @marmelyr @dianadep1 @tiquetaki @LunaLeso @marialves53 @angela3nipoti1 @migliaccio31 @1Atsuhimerose2 @agustin_gut @NadiaZanelli1 @licprospero ..oltretutto è un buon motivo per riscoprire il valore della famiglia...Bonnard:Colazione sotto la lampada @Rebeka80721106 @neblaruz @maype7 @deOzAlice @cecilia_fava @FriendArt_ @DavLucia @dianadep1 @agustin_gut @ANNAMARIABIASI1 @Biagio960 @migliaccio31 @marialves53 @smarucci461
J'en profite pour vous rappeler que Pierre Bonnard, lui, est toujours à la recherche de ce talent (on ne le dit pas assez)
Woman with Dog (also known as Marthe Bonnard and Her Dog), 1906 #pierrebonnard #postimpressionism
@famartinez2001 @dianadep1 @ampomata @alleosa @marialves53 @martinis2018 @PasqualeTotaro @Emocionaelarte @yianniseinstein @yebosfaye @anne_camozzi @AnnaCountessK @AsmodeaC @ad_mireia @bgv_online @Spiros209 @GucciPatrizia @agustin_gut @Rebeka80721106 @neblaruz @CristianeGLima @claudioborlotto @charo_lu @BPerrionni @ritamay1 @djolavarrieta @ceconomou56 #DiaInternacionalDelGato #ArteYArt #Bonnard #Nabis au Musée d'Orsay https://t.co/QdLWOJIZmY
@albertopetro2 @AlessandraCicc6 @NadiaZanelli1 @agustin_gut @smc_su @claudioborlotto @lissablu68 @ampomata @ValerioLivia @anne_camozzi @CaterinaCategio @bmarczewska @gori_magnani @marialves53 @maype7 @matibo11 @Hakflak @ceconomou56 @dianadep1 @1Atsuhimerose2 @alleosa @DavLucia @Rebeka80721106 @smarucci461 @migliaccio31 @ANNAMARIABIASI1 @Biagio960 @VicoLudovico @erminiopasquat1 @BaroneZaza70 @BPerrionni @BrindusaB1 @ritamay1 @licprospero @LunaLeso @martinis2018 @marmelyr @Papryka5 @paoloigna1 @arteeblog @albert_cunill @CristianeGLima #Buonanotte 🖤
Esiste un momento
in cui le parole
si consumano
e il silenzio
inizia
a raccontare.
#Poetry K.Gibran
#Ventaglidiparole
#Painting
#PoesiaPerLaSera
#Arte Pierre Bonnard
@agustin_gut @CristianeGLima @neblaruz @Rebeka80721106 @alleosa @maype7 @marialves53 @xaloc7 @yianniseinstein @ValerioLivia @lissablu68 @CaterinaCategio @bmarczewska @AlessandraCicc6 @gori_magnani @dianadep1 @famartinez2001 @ampomata @albertopetro2 @matibo11 #BuongiornoATutti 🌺
Ammiro la verità
del tempo,
rivela sempre
la realtà delle cose
e delle persone.
#Poetry Alberto Pavan
#Ventaglidiparole
#3febbraio
#PicofTheDay
#Painting Pierre Bonnard
@dianadep1 @1Atsuhimerose2 @marmelyr @agustin_gut @CristianeGLima @angelicadisogno @ampomata @BrindusaB1 @LuciaTassan @Spiros209 @djolavarrieta @scastaldi9 @bgv_online @artmajcar @bmarczewska @lissablu68 @monicasloves @maluisa_3 @DavLucia @albertopetro2 @BPerrionni @ceconomou56 @Rebeka80721106 @ritamay1 @BaroneZaza70 @CaterinaCategio @famartinez2001 @karmendida @kamabi @cristob45 Feliz sábado Diana querida y amigos 🌹🌺🌷
#ArteYArt
Pierre Bonnard
“The main subject of painting is the surface, which has its colors and its laws beyond its objects.” --Pierre Bonnard
It's the FINAL DAYS of Bonnard to Vuillard: The Intimate Poetry of Everyday Life.
🎨Pierre Bonnard, The Little Laundry Girl (La petite blanchisseuse), 1896
Pierre Bonnard (1867-1947), Snow Ball, Children And Dog In The Garden At Grand-lemps, 1947.
« Les modérés sont des libéraux qui n’ont plus foi en eux-mêmes [...]. »
— Abel Bonnard, Les Modérés (1936)
Nude painting by Pierre Bonnard (Пьер Боннар) in Erotic Art gallery https://t.co/JgKSUtLqku
https://t.co/Fw0icQgv1C
#EroVVheel #PierreBonnard #art #nu #eroticpainting #eroticdrawing #artgallery #impressionism
#Эровил #ПьерБоннар #art #ню #классическаяживопись #импрессионизм
Whole lotta Matisse here, obvz. (And Matisse liked to include his own sculptures in paintings, of course, which is Bonnard's most likely immediate reference.)
These Matisses are 1907, 1927.
This striking screen marks a major turning point in Bonnard’s adoption of the Nabi aesthetic. @PhillipsMuseum Exhibition Bonnard to Vuillard: The Intimate Poetry of Everyday Life–The Nabi Collection of Vicki and Roger Sant
Pierre Bonnard
Stork and Four Frogs 1889