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@artinsociety The pictures in that link look like adverts for cosmetic dentistry. And certainly "not decorous": Vigée Lebrun was castigated for painting her teeth in this self portrait.
Madame Rousseau et sa fille, Elisabeth
par Élisabeth VIGÉE-LE BRUN (París, 1755 - 1842) Musée du Louvre, Paris
"Portrait of Princess Karoline von Liechtenstein, née Countess von Manderscheit (1768-1831), as Iris" by Elisabeth Vigée Lebrun, 1793. Iris was a lesser goddess of rainbows, sea, & sky, & also served as a messenger, floating gracefully through the sky on some official biz.
Élisabeth Louise Vigée Le Brun (1755-1842), French painter who created 660 portraits including of royalty and 200 landscapes #womensart
Saturday at 1:00 pm, take a guided tour of West Building highlights given by a deaf guide in ASL. The tour is also interpreted into spoken English.
Details: https://t.co/Tkf8AuB8zr
[Élisabeth Louise Vigée Le Brun, “Madame du Barry,” 1782, oil on canvas, on view in gallery 55]
Mme Vigée Lebrun, c. 1800 https://t.co/C4H7FO0W9h #cmaopenaccess #clevelandartmuseum
@dianadep1 @Amyperuana @marmelyr @1Atsuhimerose2 @neblaruz @agustin_gut @CristianeGLima @angelicadisogno @ampomata @LuciaTassan @BrindusaB1 @Spiros209 @scastaldi9 @calb_calb @artmajcar @maluisa_3 @bgv_online @monicasloves @djolavarrieta @LunaLeso @simonjetz @BPerrionni @ceconomou56 @ritamay1 @Rebeka80721106 @karmendida @BaroneZaza70 @famartinez2001 @francocinzia2 Élisabeth Vigée Le Brun
(1755-1842)
"Self-Portrait"
@dianadep1 @Amyperuana @marmelyr @1Atsuhimerose2 @neblaruz @agustin_gut @CristianeGLima @angelicadisogno @ampomata @LuciaTassan @BrindusaB1 @Spiros209 @scastaldi9 @calb_calb @artmajcar @maluisa_3 @bgv_online @monicasloves @LunaLeso @simonjetz @BPerrionni @ceconomou56 @ritamay1 @Rebeka80721106 @karmendida @BaroneZaza70 @famartinez2001 @francocinzia2 Élisabeth Vigée Lebrun 🇫🇷 (1755-1842)
"Marie-Gabrielle de Gramont, Duchesse de Caderousse"
c. 1784
@dianadep1 https://t.co/GRkj5GYl5r
🎼Riccardo Eugenio Drigo (1846-1930)
🎵Le Réveil de Flore (Variation of Flora)
🎨Louise Élisabeth Vigée Le Brun (Julie as Flora, Roman Goddess Of Flowers)
🤗💝grazie sempre per condividere l'arte splendida
💞🙏💞a te carissima Diana @dianadep1 😉✨
"That’s why her hair is so big—it’s full of secrets." 💁♀️ #MeanGirlsDay #MeanGirls #October3rd
🖼️: Unknown, "#MarieAntoinette Holding a Rose (after 1783 portrait by #VigéeLeBrun)," n.d.
This one was all CLAMP, though. Notice the sharp angles and lean bodies. Additionally, this illustration falls right in line with eighteenth-century portraiture. Just look at Élisabeth Louise Vigée Le Brun’s Marie Antoinette and her Children (1787), as a point of comparison.
We’re celebrating #WomensEqualityDay by highlighting some of the trailblazing female artists currently on view. Share your favorite female artists in the comments below ⬇️
🎨: Louise-Elisabeth Vigée-Lebrun, Howardena Pindell, Judith Leyster, Irene Williams"
Portrait of Italian opera singer Giuseppina Grassini by Élisabeth Vigée Le Brun, 1805. Grassini became Napoleon's mistress shortly after Marengo, and returned with him to Paris. Later in life, she also had an affair with the Duke of Wellington.
Court painter Élisabeth Vigée Le Brun depicts the extremely fashionable Queen Marie Antoinette wearing late 18th-century French aristocratic costume (a robe à la française)–a face-saving portrait after the shock of an earlier fashion faux pas.
#WallaceCuratorPick | Henry Bone was one of the most successful artists of his day, famous for his copies of Old Master paintings in enamel. This is an exquisite copy after a painting of Emma, Lady Hamilton by Élisabeth Vigée Le Brun.
@Historic_Nicole @NoteArtHerstory @MuseeLouvre Dash, this period is just before Élisabeth Vigée Le Brun (born 1755), and I guess her portraits are mostly women and children (but being a woman, she herself is interacting with other women?)
Plus historique, Marie Antoinette est représentée par Vigée Le Brun en 1783 portant une simple chemise, à l’époque cela choque tellement que le portrait est remplacé par un autre ou la reine porte une tenue plus « décente » appelé « Marie Antoinette à la rose »