New artwork for sale! - "Weimaraner" - https://t.co/DAlGWLRSoY

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A few others from the Volker Pfüller archive: icons of the Weimar Republic, and two adaptations of the Greeks. https://t.co/DRDDtPXJ60

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Reddit Bans Welcome To Weimar, Pornography Addicts, Can't Change Your Gender Sub-Reddits | https://t.co/djzGytjIvh

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I love recording a weird, almost illegible post medieval coin. This grubby and nondescript find turns out to be a 1 Heller of Carl August of the Grand duchy of Saxe-Weimar-Eisenach from 1794. How did it come to be lost in Surrey? (https://t.co/koOfJD1aIp)

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Jeanne Mammen German painter and illustrator of the Weimar period. https://t.co/3fZ0f2nOWy

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🐸 Herrn de la Cepede's Naturgeschichte der Amphibien, oder der enerlegenden vierfussigen Thiere und der Schlangen: .
Weimar: Verlage des Industrie = Comptoir's, 1800-1802.
https://t.co/9ZK9sVO3x4

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Leaders of the Weimar Republic call for a general strike to oppose the right-wing coup in Berlin. Large demonstrations paralyze Germany and prevent the coup leaders from governing:

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🐸 Herrn de la Cepede's Naturgeschichte der Amphibien, oder der enerlegenden vierfussigen Thiere und der Schlangen: .
Weimar: Verlage des Industrie = Comptoir's, 1800-1802.
https://t.co/9ZK9sVO3x4

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Without women Friedrich Froebel's & early childhood pedagogy wouldn't have flourished. Portrait HRH Maria Pavlovna Grand Duchess v Sachsen Weimar Eisenach & others incl Baroness Bertha v Marenholtz-Buelow

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「おしゃれワイマラナー」
シュッとしたイメージのワイマーは崩したフォーマル系で👍(20/100)

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In New York around 1925 American photographer Francis Bruguière took a lot of classic shots of Weimar cabaret star (and Anita Berber's manager and lover) Sebastian Droste, as prep for a movie, 'The Way', that never came to fruition. Droste died in 1927.

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His approach was both full of humour & pathos. His enjoyment of a mismatched pair is as powerful as his depiction of a desperate prisoner of war. Couple (1919), From the Weimar Park (1918), Leda & the Swan (1917) & Prisoner (1918)

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The greatest writer of Prussian cultural heritage, Schiller, and I, bear a resemblance to one another, e.g. seen in 'Weimar's Courtyard of the Muses (1860)' by Theobald Freiherr von Oer.

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He captured the social side of the Weimar Republic doing much to create its image as an ‘anything goes’ period. His female figures have a monumental sensuality. Before the Masked Ball (1922), Reading (1923), Self-Portrait (1923) & Siesta (1924-31)

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