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#1日1おやすみなさい絵
1822日目 今日はThe murder's sixtet(オリジナル)から薬箱の少女ことメディカ・リトルトンでおやすみなさい
底の底
Nous célébrons le signe du #bélier ♈
Un des animaux peint par Rosa Bonheur ! L'artiste bordelaise, icône du #féminisme, vouait une passion pour la #nature et les #animaux qu'elle représentait avec un réalisme fascinant.
🖼️ Etude de bélier, Bonheur Rosa, Entre 1822 et 1899
@MuseeOrsay Rosa Bonheur 🇫🇷 (b. 16.3.1822)
'Toutou, le bien aimé' ('Toutou, the Beloved') (1885)
Oil on panel
24 x 18.8 cm @CentraalMuseum
The Times of Day (1821-1822) by Caspar David Friedrich.
Morning
Midday
Afternoon
Evening
Friedrich also painted "The Stages of Life" five years before he died: "a meditation both on his own mortality and on the transience of life."
Crucifixion, 1822 https://t.co/ZjIcOjtMVI #romanticism #pierrepaulprudhon
"I follow my heart, for I can trust it."
~ Friedrich Schiller
Cloud Study (c.1822) 🎨 John Constable
World Book Day! Tweet One: Arms of Sir Walter Scott, matriculated in 1822.
@AsiyaMiya @lespaul55_57 Johan Thomas Lundbye
En gravhøj fra oldtiden ved Raklev på Refsnæs, 1839
@ThmMuseum
Willem Roelofs, 1822-1897
Het hunebed bij Tynaarlo, Drenthe @SimonisBuunk
Lüneburger Heide, Edward Theodore Compton, 1912
https://t.co/ewfSjUlXDt
🌲 Österreichs allgemeine baumzucht,:
Wien: Ignaz Albertischen Buchdruck., 1792-1822.
https://t.co/4x9bcjUNtz
RT @WriteMariaGrace: The fashions of January 1822 https://t.co/Tm4fmMPONl #fashionhistory #19thc
Marine Hat-astrophe
The Duke of Grafton apoplectic with rage against this muscular waterman after his hat has been blown away whilst he is waiting to board ship on the Thames near St Paul's #London 1822
Mistrz Pan Twardowski is a Polish Faustian sorcerer who sells his soul in exchange for dark magic. According to an 1822 ballad, the devil releases the nobleman from the contract after finding a clause requiring the devil to spend a year with Twardowski’s wife.
#FaustianFriday✨
🌲 Österreichs allgemeine baumzucht,:
Wien: Ignaz Albertischen Buchdruck., 1792-1822.
https://t.co/5YEaLkJx2H
@odo_v1 It is very contemporary! I think of this as showing continuity rather than stasis, though. For comparison: Velázquez 1640 vs Géricault 1822.