1822日目 今日はThe murder's sixtet(オリジナル)から薬箱の少女ことメディカ・リトルトンでおやすみなさい
底の底

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Nous célébrons le signe du

Un des animaux peint par Rosa Bonheur ! L'artiste bordelaise, icône du vouait une passion pour la et les qu'elle représentait avec un réalisme fascinant.

🖼️ Etude de bélier, Bonheur Rosa, Entre 1822 et 1899

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John Constable (1776–1837), Cloud Study, Stormy Sunset, 1821–1822.

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Rosa Bonheur 🇫🇷 (b. 16.3.1822)
'Toutou, le bien aimé' ('Toutou, the Beloved') (1885)
Oil on panel
24 x 18.8 cm

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The Times of Day (1821-1822) by Caspar David Friedrich.
Morning
Midday
Afternoon
Evening
Friedrich also painted "The Stages of Life" five years before he died: "a meditation both on his own mortality and on the transience of life."

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"I follow my heart, for I can trust it."
~ Friedrich Schiller

Cloud Study (c.1822) 🎨 John Constable

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World Book Day! Tweet One: Arms of Sir Walter Scott, matriculated in 1822.

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麻婆祝い1822日目

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Johan Thomas Lundbye
En gravhøj fra oldtiden ved Raklev på Refsnæs, 1839


Willem Roelofs, 1822-1897
Het hunebed bij Tynaarlo, Drenthe

Lüneburger Heide, Edward Theodore Compton, 1912
https://t.co/ewfSjUlXDt

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🌲 Österreichs allgemeine baumzucht,:
Wien: Ignaz Albertischen Buchdruck., 1792-1822.
https://t.co/4x9bcjUNtz

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超高速でネプリ用に描いた182&2(1822)ちゃんでした💙😯😎💙
背景悩んじゃったので2パターンほど作った😂✊

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1822アンソロの主催者様に捧げたもの(シヅクさんありがとうございました!🙏✨✨)
カラ松にまみれた記念に!🥳🎉🎉💖💖

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Marine Hat-astrophe
The Duke of Grafton apoplectic with rage against this muscular waterman after his hat has been blown away whilst he is waiting to board ship on the Thames near St Paul's 1822

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Mistrz Pan Twardowski is a Polish Faustian sorcerer who sells his soul in exchange for dark magic. According to an 1822 ballad, the devil releases the nobleman from the contract after finding a clause requiring the devil to spend a year with Twardowski’s wife.

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🌲 Österreichs allgemeine baumzucht,:
Wien: Ignaz Albertischen Buchdruck., 1792-1822.
https://t.co/5YEaLkJx2H

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‘Nothing of us but what must suffer a sea-change.’

— Mary Shelley, February 14 1822.

Mary quotes a line from The Tempest.

Trelawny had called with news of building Shelley’s new boat, saying, “Oh! we must all embark, all live aboard; we will all ‘suffer a sea-change.”

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It is very contemporary! I think of this as showing continuity rather than stasis, though. For comparison: Velázquez 1640 vs Géricault 1822.

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The time that was, is, and will be, presses upon you, and, standing the centre of a moving circle, you “slide giddily as the world reels.”

— Mary Shelley, February 7 1822.

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