Hi

I’m a cartoon cat known for making FELIS on Webtoons

Webtoons: https://t.co/ADoSDgTiVy
Tapas: https://t.co/bDeBGPb4IC

A mystery action thriller with cats in the 1920s? What’s not to love <3

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Thanks for the opportunity

I make a fantasy adventure webcomic called Serenade Song, about a cursed witch(Cassandra) and her adventurer girlfriend's(Raelynn) journey to undo the curse. 5 complete chapters, with the 6th in production!
https://t.co/h2gwoZOx5r

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Thanks,
We make Apokelipsis, a story of a new member of the Ranger Corps, in a world where Pokémon didn't even exist 40 years ago.
You can read us at https://t.co/ZnkB7qGfWw, and we upload each Monday. For now, you can read it in Spanish, and soon in English.

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My reference is usually past drawings where the same characters or similar ones appeared. Like, a palette is created once I have colored an scene in advance, I use the eyedropper tool in Photoshop, to copy previous skin tones, uniforms, I have colored before

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Sure. I remember years ago when I colored with color pencils, trying to learn how to make brightness spots with them. With digital tools is way easier. Shadowing, you always have to imagine, where the light comes from. Gives character to a scene

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Hey Gaiys! I'm Jess, a visual storyteller currently working on debuting with my first Graphic Novel about tiny plant spirits and mental health! I'm also working on a mini-comic about a Witch who's terrified of Garlic! Why? You'll have to wait to see!

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It’s definitely helpful, not only to get the vibe of the character but also as a reference to compare with the other cast!

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Absolutely! Saturation especially - colors in life are never fully saturated, and I don't yet have the knack for picking them off-the-cuff, so I use saturation to compensate. Daylight scenes, office scenes, reactor scenes - it really helps place a scene.

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Hello! I'm Joichi and I'm working on 2 projects. Lady Detective and my prequel webcomic call The Seamstress Diary which is in progress. They both take place in the same world

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