Coco-chan, the mascot of Toyokawa City’s shopping district, has a white fox hat and hair like a fox tail, based on iconography from the local temple.

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Still bouncing some ideas for my Storm design. I don’t think this is a very faithful iteration and I’m kinda worried about that but the umbrella iconography was stuck in my mind and I had to act upon it;;;

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Bhairavi Ragini
princess visit shivling shrine, Oudh, provincial Mughal, late 18th century
adaptation/amalgamation of iconography in mughal period-Shirin bathing while watched by Khusrau (from Nizami’s Khamsa) & depiction of Bhairavi Ragini
both beautifully mingled

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✨ The "Plant Based" series from

A blend of childhood iconography, memories and stream-of-consciousness thoughts with an absurd sense of humor into a motley of acidic, vivid artworks.

View and place bids here! 👇👇
https://t.co/CaybfikGT6

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In this episode of Artists Network’s Art Bound podcast, painters Kevin Sloan and Teresa Oaxaca discuss how they create meaningful personal iconography and tell intricate stories in narrative paintings. https://t.co/7GwjKWvYQo

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The iconography located on most of the Erdrick equipment is based off the God Bird Ramia.

You can tell by the fact that it’s shaped as a bird and it has two distinct tails near the bottom that represents Ramia’s two, long red feathers located next to its tail plumage.

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After mania i mint only 5 pieces. "Hot potato" is a picture of contradictive elements both destructive and creative. A meta reminder of a Byzantine iconography. https://t.co/Axm3JaEZT5

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My PhD was also about history & the many years I spent examining Celtic art & Early Medieval culture are clear in my approach to iconography & composition.

Aengus (2021) https://t.co/m9eXKQkr6y

0 0

My PhD was also about history & the many years I spent examining Celtic art & Early Medieval culture are clear in my approach to iconography & composition.

Aengus (2021) https://t.co/m9eXKQkr6y

0 2

My PhD was also about history & the many years I spent examining Celtic art & Early Medieval culture are clear in my approach to iconography & composition.

Aengus (2021) https://t.co/m9eXKQkr6y

0 1

My PhD was also about history & the many years I spent examining Celtic art & Early Medieval culture are clear in my approach to iconography & composition.

Aengus (2021) https://t.co/m9eXKQkr6y

0 2

My PhD was also about history & the many years I spent examining Celtic art & Early Medieval culture are clear in my approach to iconography & composition.

Aengus (2021) https://t.co/m9eXKQkr6y

0 0

My PhD was also about history & the many years I spent examining Celtic art & Early Medieval culture are clear in my approach to iconography & composition.

Aengus (2021) https://t.co/m9eXKQkr6y

0 1

My PhD was also about history & the many years I spent examining Celtic art & Early Medieval culture are clear in my approach to iconography & composition.

Aengus (2021) https://t.co/m9eXKQkr6y

0 0

My PhD was also about history & the many years I spent examining Celtic art & Early Medieval culture are clear in my approach to iconography & composition.

Aengus (2021) https://t.co/m9eXKQkr6y

0 2

My PhD was also about history & the many years I spent examining Celtic art & Early Medieval culture are clear in my approach to iconography & composition.

Aengus (2021) https://t.co/m9eXKQ2PHY

0 5

My PhD was also about history & the many years I spent examining Celtic art & Early Medieval culture are clear in my approach to iconography & composition.

Aengus (2021) https://t.co/m9eXKQ2PHY

0 2

My PhD was also about history & the many years I spent examining Celtic art & Early Medieval culture are clear in my approach to iconography & composition.

Aengus (2021) https://t.co/m9eXKQ2PHY

0 0