A revised version of this Au video! Should I post a full version though on YouTube?
And I'm definitely working on a Flowey form for Sephiroth since he's Asriel in this AU. Expect it within a couple days 🤭
https://t.co/6u4rdyBQN2

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Upcoming Statue Arrivals! 🤩👏💯

Final Fantasy VII
1:4 scale Resin Statue
Aerith Gainsborough by SHK studios!

Shipped and arrives in 2-3 weeks.

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Quick drawing of Aerith with my favorite Pokémon

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还是加点花花美化一下……一直想把喜欢的两个同声优穿红外套的角色搁一块看看 😍
(上次画式姐还是……高中的时候😂

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Cloud Strife & Aerith Gainsborough 🌕
I am over the moon, thank you 🥰

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Thomas Gainsborough (1727-1788) -- four portraits of Mary and Margaret Gainsborough, the artist’s daughters -- 1 & 2) c. 1760-61, 3) c. 1763-64, and 4) c. 1770-74

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In his final years Gainsborough created some of the most elegant English portraits of the 18th C. His Morning Walk (1785), Mrs Sheridan (1785-6) & Duke of Kent (c1787) are supreme examples of an artist who understood beauty & human frailty

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He remained as creative as ever in his final decade & continued his lifelong method of integrating landscape & people. Diana & Actaeon (c1785) & The Mall (1783) are late masterpieces of this time. Gainsborough’s drawings show his care in forming such joyous compositions

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As the artist matured his brushwork became more fluid & he used longer brushes which gave his work a sense of movement. His portraits of the Duchess of Beaufort (c1775), Mrs Graham (c1775) & of his nephew & assistant Gainsborough DuPont (c1775) are ravishing masterpieces

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Gainsborough’s first love was always landscape painting & he snook it into his portraits where he could. Peasants Returning from Market (1767-8) & the Harvest Wagon (1767). He continued to study & learn from Old Masters such as Rubens’ Descent from the Cross (1760s)

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Gainsborough’s greatest portraits from the 1750s are of his family. Miss Gainsborough Gleaning (1756-9), the Painter’s Daughters (1758) & the Artist’s Wife (c1758) attest to his growing maturity as a portraitist, as well as his love for his family

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By 1752 the Gainsboroughs were in Ipswich. Portraits & money troubles (driven by his love of the good life) were a theme. He sought to place his portraits in sylvan surrounds. The Gravenor Family (1752-4), John Plampin (1753-5) & the Lloyds (1755)

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Welsh Lullaby — on the way to Gainsborough, January 1014
アシェの痛ましい表情も、耳慣れぬことばの子守唄も、傷の痛みと熱でうなされるビョルン君の見た夢かもしれないし、現実かもしれない。

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