画質 高画質

Academic Study.1790/1799. Attributed to Joseph Mallord William Turner.1775-1859. Black chalk and charcoal on ivory laid paper. Art Institute of Chicago.

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"Chapel at night by JEAN LOUIS THÉODORE GÉRICAULT" - weight: 1

"#film charcoal drawing matte background matte painting" - weight: 1" - made with

https://t.co/FTUBM41Wdm

https://t.co/FTUBM41Wdm

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Frieze - ink, charcoal and gold ink

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Live figure study in charcoal

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I use so many styles/mediums haha, basically what feels right for that piece. I tried to pick some that were very different. Lately I like painting with more realism, but I actually used to mostly do colorful or surreal ink art. Also there's a digital cartoon and charcoal.

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Trying different brushes, like this charcoal one.

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'Summer near the source' ink, watercolour and charcoal

At this point you can step over the River Stour. 61 miles downstream it is so big 1.2m tonnes of water per day empty into the sea.

https://t.co/iUSAWRlwvK

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Raymond Wright was born in Agege, Lagos, Nigeria

working with various mediums and he is able to express himself with acrylic, oil, pastel and charcoal on boards, canvas and paper. He believes art is a unique experience.

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GM frens
Minted SIGHTS WITHIN NATURE to
SIGHTS WITHIN COLLECTION. Now available on .

Medium : Charcoal

https://t.co/s769Ap7485
Open your eyes to the sights unseen
let the fear taste like truth on your lips
let the sights you see be what's
hidden within.

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Pleased to be showing this 2019 charcoal sketch (Montagues 3) at the Made in Roath open exhibition at - 2nd to 5th March, with event on the 4th. A lovely, community show, involving a wide array of artists.

Come along!

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•Leto•

Another piece of my OC Leto using the charcoal brush on CSP.

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“Adonis” .4
.
https://t.co/NmmDWIO0EU
.
// A vine salvaged from art school '99, Italia; fused with Morning Clouds: JPL PIA17940, photo taken by Viking Orbiter 1, 1976 //

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Graphite Drawing, Join my Patreon Account and draw along with me every Thursdayfrom 7 to 10:00 pm Link in bio

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Spare a thought for our wet, wind-battered birds out there.
Tricky, miserable conditions for our feathered friends.

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Trees in winter are silently growing. Collage and oil glazes on paper with charcoal.



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some digital/traditional charcoal still lifes i did for class but i don’t feel like posting anything atm

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