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His portraits have a pungent awareness of psychology. Marqueza Pontejos (1786), The Snowstorm (1786-7), Self-Portrait (1790-5) & Dona Tadea Arias de Enríquez (1793-4)
NEVER TURN YOUR BACK ON NATURE
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(POISON IVY)
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MAP: THE GROVE (Rising Sun)
4790-0813-2378
Created By @zNotHermes
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#fortnite #fortography
#poisonivy #fortnitechapter3
https://t.co/aaLr9WUbwu
e5efa8aa-3b34-4790-bffc-bfa3cf23ef99 #generative #art #procedural #creativecoding
Title: Indian Peafowl
Date: 1790-1814
Place: Southern Netherlands
Material: Paper, watercolor, deck paint
Source: Rijksmuseum, Amsterdam
@DalrympleWill @Arthistorian18 @rijksmuseum @Aarti_Panday @dpanikkar @hemantsarin
Design for the Decoration of Barrel Vaulted Ceiling, 1790-1800 https://t.co/1kAfqlVvf3 #openaccess #cooperhewittdesignmuseum
Hear no Evil, from the series See no Evil, Speak no Evil and Hear no Evil, by Keisai Eisen (1790-1848)
#ukiyoe
One of four variations of The Nightmare by John Henry Fuseli,1790-1791
#OnlineArtExchange
The Woman Shop Keeper
oil on board; artist #unknown, Glasgow, about 1790-1800.
The smiling Shop Keeper is offering us lemons and paper-wrapped sugar cones...wonder what's in the green drawers and neat white packets?
@artukdotorg @GlasgowMuseums
@glasgowlife
The Diversions of Venus and Mars – Andrea Appiani, 1790-5.
(Pinacoteca di Brera, Milan).
one of four variations of the nightmare by john henry fuseli,1790-1791
下手すぎて萎えた( ´・ω・`)
目が書けなくて諦めた(´・ω・`…【#ピグパ ID:PG-1790-0151】@PiggPARTY(▶︎https://t.co/CQ394bpR4P)から投稿
下手すぎて萎えた( ´・ω・`)
目が死んだ書けなくて諦めたむぎち…【#ピグパ ID:PG-1790-0151】@PiggPARTY(▶︎https://t.co/CQ394bpR4P)から投稿
ぼっちって美味しいの?(*´・ч・`*)
#ピグパ夏祭り【#ピグパ ID:PG-1790-0151】@PiggPARTY(▶︎https://t.co/CQ394bpR4P)から投稿
Sortie fleurieガチャコーデ
お目目と口期待してたん…【#ピグパ ID:PG-1790-0151】@PiggPARTY(▶︎https://t.co/CQ394bpR4P)から投稿
可愛すぎんか( ˙-˙ )キュン死しそう【#ピグパ ID:PG-1790-0151】@PiggPARTY(▶︎https://t.co/CQ394bpR4P)から投稿
also thinking about that painting, The Nightmare by Johan Heinrich Füssli (1790-91)