in 1932
Cover of The Saturday Evening Post, January 23, 1932
Illustration by Anton Otto Fischer (1882-1962)

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Edward Hopper (USA, 1882-1967)
Seated men at a Café's table (1906)

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Auguste Herbin (1882-1960)

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美術展『インド独立75周年・日印国交樹立70周年 インド近代絵画の精華―ナンダラル・ボースとウペンドラ・マハラティ』
神戸市立博物館

インドの近代美術を代表する画家、ナンダラル・ボース(1882-1966)とウペンドラ・マハラティ(1908-1981)の作品を展示。

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Thanks from the soul, carissimo Bryan, and a good morning - and a wondrous day - to all
‘A Morning Snow, Hudson River’ George Bellows (1882-1925). Oil on canvas. 1910.

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Vrouw op canapé, Hot Printing 15, 1936 - Hendrik Werkman (1882-1945)

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Fox in the Snow 1935 by Newell Convers Wyeth (1882-1945) Arkell Museum at Canajoharie, New York

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N. C. Wyeth (1882-1945), “Odysseus and Calypso” (1929), oil on canvas, 96.5 x 121.9 cm.

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冯超然(1882-1954年),名回,号涤舸,别号嵩山居士,晚号慎得。原籍江苏常州。辛亥革命后,寓居上海嵩山路,署其居室为“嵩山草堂”。一生卖画为生。代表作有《仕女捧桃图》《岁寒图》、《柳江秋燕图》等

冯超然 11

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冯超然(1882-1954年),名回,号涤舸,别号嵩山居士,晚号慎得。原籍江苏常州。辛亥革命后,寓居上海嵩山路,署其居室为“嵩山草堂”。一生卖画为生。代表作有《仕女捧桃图》《岁寒图》、《柳江秋燕图》等

冯超然 11

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[ ]
🖼️ Le Pont Neuf,
by Edouard-Léon Cortès (1882-1969) 🎨 🖌️

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George Braque
1882- 1963
Fallecimiento: 31 de agosto de 1963
Años de actividad: 1900 - 1963
French, École de Paris, Les Fauves

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Art Deco illustrations from the early 1920s by George Barbier (1882-1932), a French illustrator, as published in fashion magazine Gazette du Bon Ton, Paris.

382 1927

冯超然(1882-1954年),名回,号涤舸,别号嵩山居士,晚号慎得。原籍江苏常州。辛亥革命后,寓居上海嵩山路,署其居室为“嵩山草堂”。一生卖画为生。代表作有《仕女捧桃图》《岁寒图》、《柳江秋燕图》等

冯超然 4

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N.C. Wyeth (American, 1882-1945)
"Airmail", 1938

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Mary Swanzy (1882-1978) was an interesting artist who at first worked her way through a series of other’s styles before finally finding her feet in the 1940s & exploring her own intense version of Expressionism. Ebb Tide (1941), Revolution (1942) & Untitled (1940s?)

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Anton Otto Fischer (1882-1962) was a German-born American illustrator. He sailed on ships before becoming an artist. Howard Pyle helped him transform his firsthand knowledge into pictorial drama. Fischer created more than one-thousand illustrations for the Saturday Evening Post.

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