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Francesco Bartolozzi, Sir Thomas Elyot, 1794 https://t.co/8I3xAKGTo5 #museumarchive #clevelandartmuseum
@Trad_West_Art Also by Francesco Bartolozzi...
"Cottagers at the bottom of Mount Vesuvius"
"A Calabrian Family from the environs of Reggio"
Stipple engravings in original color
After the painting by Francesco #Bartolozzi (1728-1815)
London, 1799
#Genre #Italy #Calabria #Reggio #Pastoral
#noticiaPAC Woman Art House: Piti Bartolozzi @WomanArtHouse https://t.co/9sn2qmnC59
Lady Smith and Her Children, Francesco Bartolozzi, 1789 https://t.co/axUQYXNHb5 #clevelandartmuseum #museumarchive
@clasicasIEDA "A printed version of Leda and the swan. Jupiter (#Zeus) and #Leda"
Copper etching by Francesco Bartolozzi (1728-1815) figures and Benjamin Charles Comte (.
After the painting by F. Viera
Printed by McQueen. London, 1814 https://t.co/1gyYixeYLM
Kauffman’s small (32x24cm) oil on metal painting ‘Fame Decorating Shakespeare’s Tomb’ @burghleyhouse also proved a popular inspiration for needle painting. This 1782 etching and stippling by Bartolozzi @britishmuseum disseminated the image widely.
It was the reproduction of her most famous paintings by printmaker Francesco Bartolozzi that Kauffman’s work spread throughout Europe and the US. His 1788 etching of Kauffman’s Cornelia (@britishmuseum) was a sensation.
Sir Thomas Elyot, Francesco Bartolozzi, 1794 https://t.co/8I3xAKGTo5 #museumarchive #clevelandartmuseum
Baccante, Francesco Bartolozzi https://t.co/gm5o2KrL7R #cmaopenaccess #clevelandart
Heads of Two Women, Francesco Bartolozzi, 1792 https://t.co/lSza2KFKyB #cmaprints #cmaopenaccess
@eevriviades @visitcyprus @LeventisMuseum @crewsproject @ReCyPot @cypriotartleeds @CAARI_Cyprus @ErinAverett @culturalchcuk @britishmuseum @AshmoleanMuseum "#Jupiter and #Leda"
Copper (stipple in most part) etching by Francesco #Bartolozzi (1728-1815) figures and Benjamin Charles #Comte (landscape).
After the painting by F. Viera
Printed by McQueen. London, 1814
Leda, daughter of #Zhestios and #Eurythemis
🎵 A music teacher in an exciting hat teaches three children. Check out some music by two of the instruments in the background (lute and viol) at https://t.co/Gs3hrorPLQ #MusicMonday #MuseumFromHome
📋 "The Music Lesson" (1764), etching by Francesco Bartolozzi, Italian
Baccante, Francesco Bartolozzi https://t.co/gm5o2KrL7R #clevelandart #cmaopenaccess
@smarucci461 @albertopetro2 @Rebeka80721106 @ceconomou56 @MOCarballeira @VicoLudovico @EnricoCastrovil @Dominiquepucini @piotr408 @VAlivernini @erminiopasquat1 @SilvioBalsamo1 @claudioborlotto @MaurilioVitto @GiardinoPietro @BaroneZaza70 @arteeblog @ghegola Francesco Bartolozzi (21 September 1727 – 7 March 1815, Lisbon) was an Italian engraver
Jane, Countess of Harrington and Her Children, Francesco Bartolozzi, 1789 https://t.co/ezQoqTMKaa #cmaprints #museumarchive
Apollo & Daphne, 18th c.
Francesco Bartolozzi
#Greece #mythology
The painter Angelica Kauffman astutely collaborated with engravers. Here a portrait of her engraved by Francesco Bartolozzi in 1780 and in turn her portrait engraving of J. J. Winckelmann of 1764 (see W. Roworth in September 2018 issue of Print Quarterly). #InternationalWomensDay
Francis Bartolozzi painted the nightmares of the war caused on children as amorphous monsters, where only the symbols are recognizable.