When it entered the Gallery’s collection in 1960, “Diana and Endymion” was attributed to François Boucher, Fragonard’s first teacher. Boucher’s name had been associated with the painting since at least the late 19th century.

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Jeanne-Antoinette Poisson, Madame de Pompadour was the mistress of king Louis XV. She used works of art to captivate the king and to cultivate her own image. François Boucher’s portraits were central to her self-presentation.

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Take a look at François Boucher’s "Allegory of Painting" (1765) and "Allegory of Music" (1764). These two works have been associated with each other since the late 19th century. Almost identical in size, their compositions are balanced and their subjects complementary.

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François Boucher’s series ‘The Four Seasons,’ 1755, was purchased in 1916 by He… https://t.co/riIgJWjkWw

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