The Ascension Altarpiece, Triptych for St Mary Redcliffe, Bristol.

These 3 pieces depict the story of the resurrection of Christ after the crucifixion, and his ascension to heaven forty days later 🌤

Each quoting texts from the King James Bible.

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Detail of a 1730s conversation piece by William Hogarth. The small hands holding a silver tray at bottom left are all that remain of an enslaved African boy, who was cut out of the canvas by someone unscrupulous. https://t.co/Z1lcwTdel8

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Furry Fridays is back! 🐶

This week we feature the furry friend that is the spaniel in ‘Before’ and ‘After’ by

Protecting his owner at all times!

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Stuck for something to do today?

Here is The Fishing Party - possibly Lady Sunderland and her Son John Sutton 🐟

This version was painted over a more reduced earlier piece and has been reworked many times.

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Charity in the Cellar painted by (left) and drawn by Richard Livesay after Hogarth (right).

The group vowed not to leave until they had drunk a hogshead of claret. While it seems they are mimicking the sculpted statue on the far right!

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The Pool of Bethesda which forms part of the staircase decoration of Bartholomew Hospital. It sits alongside The Good Samaritan, reflecting the hospital's caring for the sick.

The people seen at the Pool are said to be modelled on real patients!

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It’s National Puppy Day! Hogarth loved to paint dogs in his paintings, including pugs. Here are some cute pups by

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The Mackinen Children - William and Elizabeth.

The sunflower is a symbol of loyalty - it always faces toward the sun, the anomaly here - the other flowers behind are turning away from the main one.

Symbols of honouring both political sides?

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The chatelaine attached to Mary Edwards’ waist has a couple of interpretations:

1. Carries keys and tools necessary for a woman managing her own household.

2. The watch may be a ‘memento mori’ recognising her approaching death!

Thoughts?

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Hogarth making a joke about the craze for tiny lapdogs by including a minuscule one on an expensive cushion in Taste in High Life.

A craze that is very much still around!

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Possibly a trend going on here 🤔

Simone Pignoni, John Smith, and William Hogarth opting to represent their sitters holding a lamb representing the saint St.Agnes 🐑

She stood up to those telling her who to marry, and stuck by her chosen ‘husband’ Jesus Christ.

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The clergyman with the telescope is guessed to be Horace Walpole, his chair being pushed over by Stephen Fox. Walpole was a and lecturer on optics.

However he had no known connections with this group, so the identification is still debatable!

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The Good Samaritan - the second of Hogarth’s canvases for St Bartholomew’s Hospital.
The bearded Samaritan pours healing ointments onto the wounded and robbed Israelite 🙏🏻

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Portrait of Jane Thornhill who Hogarth met as the daughter of his teacher Sir James Thornhill. He eloped with Jane and married, but did not have any children together.

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The Shrimp Girl painting by in 1750 is held in the National Gallery. The engraving was commissioned by his widow, Jane Hogarth and engraved by Francesco Bartolozzi in 1982 using a stippling method which creates strong tonal values and delicate flesh hues.

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This drawing by Hogarth was used to solicit support for the Foundling Hospital in 1739. The hospital cared for the numerous abandoned babies in London, and was campaigned for by Thomas Coram. Coram’s portrait by Hogarth now hangs in the

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An Election Series - 'Though set in the fictional constituency of 'Guzzle-down', Hogarth's attack on the fatuousness and corruption of contemporary politics draws its inspiration from polling in Oxfordshire during the General Election of 1754’

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gave his name to satirical illustrations of modern moral subjects. 'Mariage à-la-mode' is a series of 6 hogarthian pictures.

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The Carpenter’s Yard 1727 by - That one with the long pole needs to watch he doesn’t chop his head off ...👀

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Trying to stay in the weekend party mood ignoring the fact it's Monday tomorrow- Marriage A La Mode detail

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