"In AI We Trust. Power, Illusion and Control of Predictive Algorithms,” illustration by

Christian is represented by AAARep. Explore more: https://t.co/xod8v6OEtM

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I just finished drafting this month's newsletter, which will be going out tomorrow night 👀

If you want to make sure you never miss anything from me because of stupid bloody algorithms, do yourself a heckin' favour and make sure you're signed up 😜

https://t.co/H1zbxg7J0f

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From colorful vector art to hand-crafted algorithms, the exhibited at the Decentral Art Pavilion redefine the meaning of amazement and pave the way for exciting discussions.

Pictured:
art by , , and .

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We have launched a collection on called "CODEART"

A collection of 1/1 Abstract Art generated with sequences of code using programming languages, algorithms, and mathematics.

🧑‍💻https://t.co/j3TlA2EAVc

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You are right, the issue is not the light dispersion algorithms, but the light source, as if it were an incandescent light rather than a white LED light.

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Wild Playforming: So far I've used simpler algorithms, starting with training models now. Don't want to control the result too much, so used a 100 random photos, influenced by 75 more. The result was not that interesting. Well. Back to the thinking box!

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2/ In short, I use a variety of algorithms, especially CLIP-guided diffusion by to deploy different workflows. Sometimes use the prompt to generate or use initial sketches to guide the process, or generate a couple of images and get the final result.

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To avoid some algorithms, let’s write on another way…

Find me on P and also on K0-fi but in writing ‘’HornedLyzz’’. ;)

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no chasing algorithms, post art whenever
i will let fate determine my success

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I keep seeing messages about the pressure to create work fast for social media. If making quick work brings you joy, that is super valid, but if it is done in the name of appeasing algorithms, than fuck that noise! 💚

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Helin - Christian Mio Loclair
Deep Fakes: Art and Its Double

"Using custom algorithms, data and digital devices, Loclair creates sculptures, video works and installations that aim to convey the aesthetics and frictions of both human & digital identity."
https://t.co/54EXT3U5PD

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6. "Artis Machina Infinita" by

"Background layers are first generated using a variety of AI algorithms, these abstract images are given form with 3 types of symmetry..."

Public sale is NOW LIVE 🔥

https://t.co/rtnTP6zjdO

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Had a conversation today, about how current algorithms, and societal expectations for artists, are very against reposting old works, even if there are old works that we still love and want to share.
Today I want to repost these old lads, whom I never properly used anywhere.

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Gn guys! I am still updating the algorithms, the results starting to look even more interesting!🚀

I'll drop this Queen of the damned tomorrow on the Freakyverse👀

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Check this NFT:
https://t.co/71cGUsJqR4

The Acrylic World Series Is A Mixture Of Real World Acrylic Paint Pours, AI Algorithms, Overlays & Edits Done With A Stylus (All On Mobile).

$JEOI

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Check this NFT:
https://t.co/r5hnd6i8Pq

The Acrylic World Series Is A Mixture Of Real World Acrylic Paint Pours, AI Algorithms, Overlays & Edits Done With A Stylus (All On Mobile).

$JEOI

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METAVERSE REJECTS have landed. 250 3D digital sculptures with distortion algorithms, enhanced with visual FX and studio sounds. https://t.co/s6xH0n6GRX

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In the first part of this series, which I produced using various algorithms, there are works of art containing circles. 10 different works will be published in each section of ArlgorithmArt.

https://t.co/xDtdsijfeL

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In the first part of this series, which I produced using various algorithms, there are works of art containing circles. 10 different works will be published in each section of ArlgorithmArt.

https://t.co/Wfl2dcspZn

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Love developing new systems. This one (still a work-in-progress) involves L-Systems, clustering algorithms, convex hull, randomness, and bezier splines. Combining mathematics to produce art is one of my favorite things in life :)

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