Along Blackshaw’s journey to defeat a cruel sniper, he learns top-secret information about who's directing the killer. Will this new knowledge help or harm Blackshaw?



Curl up by the fire with a thrilling
https://t.co/XSlLnza41V

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vous surprendra avec son passionnante et ses personnages incroyables que vous ne pouvez trouver qu'ici! Un thriller dont vous avez besoin sur votre

la aujourd'hui!
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vous épatera avec des sensations fortes, des sensations fortes et des rebondissements!

Achetez la dès maintenant et vous serez sous le choc! https://t.co/fEl7saAZCi https://t.co/GwKpHhwxle

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'Red Barn' ~ Basil Blackshaw (1991).

Although initially Red Barn gives the impression of an almost entirely abstract composition, on consideration it becomes clear that the barn building, is in fact a central part of a very tangible landscape.

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Artist Spotlight 🔦 Basil Blackshaw.

Blackshaw was born in Co. Antrim and studied at the Belfast College of Art from 1948 to 1951. In his year of graduation he won a travelling scholarship which enabled him to spend a year in Paris. He has exhibited regularly since 1952.

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charlize's brother gave her blackshaw flowers as a gift but they didn't know she is allergic to them and might d!e from mana reflux

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Blackshaw comes face to face with his past in the most horrifying way possible. On the bottom of the floats an eerie corpse. Why does it look so familiar to Blackshaw?



6 chapters here:
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one interpretation of ‘Madge’ by George Campbell is that she is in a pensive mood but Basil Blackshaw’s image is titled ‘Woman Watching Snooker.’ Perhaps both sitters are correspondingly bored!

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.. Blackshaw portraits of Longley, Friel, William Conor, portrait of ... more to follow. Thanks EM.

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Basil Blackshaw was one of the brightest people I knew but simplicity was his true colour. Asked “how are you doing Basil?” he would say “ah still sleeping under a tree, killing the odd rat and drinking a bottle of stout.”

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'The Barn. (Blue 11) 1991. by HRUA, RUA.
Collection

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Conversation in a Field Basil Blackshaw (1932–2016)
Ulster Museum

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'Storm' by An amazing and sensitive painting of the lurcher he bred and owned.
His ability to capture the soul and movement of the animals he painted was extraordinary.

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'Night Rider' (2001) by
Acrylic on canvas
152.5 x 213.5cm.
When asked about the yellow cross on the left of this painting Blackshaw replied " "The painting wouldn't be right without that mark".

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'Headland III' 1992 by
Oil on canvas
51 x 61cm.
John Hewitt termed his “characteristic intensity”, an intensity deriving from and “within the circle of his experience”. It is this immediacy that comes through strongly in his best work.

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Hidden in the Spray by Julia Blackshaw https://t.co/bo1sj5enDT

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'Big Brown Dog' 1988 by
Oil on canvas, 48 x 60in (121 x 152cm).
collection.

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'Storm' by An amazing and sensitive painting of the lurcher he bred and owned.
His ability to capture the soul and movement of the animals he painted was extraordinary.

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“People want to know what a painting is about, but I don’t as long as I enjoy the image – a purely visual image.” Basil Blackshaw

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