“Puy de Dôme vue du Plateau de Gergovie au crépuscule.” 2022 A4

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“Quarry X” 2022
A4
There was something magical about the color and the light vibrating on a damp moss and root covered wall which was up a slope off the trail.

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«Fault » 2022
Rather than rip up a failed painting, I changed mindset and continued in a different direction, letting it take me to an unpredictable place.

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“Quarry IV” 2022 I find it extraordinary how a small area (perhaps 2 square metres) of a quarried rock face can become a source of such childlike fascination but I lose myself here in play again…and again.

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«Quarry III » 2022
A4
After a brief glance at a photo, with a few aspects I wanted to explore, I just started playing on the page ignoring the reference.

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«Puy de Dôme de l’Oppidum des Côtes de Clermont II » 2022
A4

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“Vue du Puy de Dôme de l’Oppidum des Côtes de Clermont” 2022

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“RIP & TEAR » 2022
Oil scouring, on Kraft paper. Preoccupied by images and news from friends of events in the ripping wasn’t intentional, tearing and collage seemed the only way to make

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« Oppidum Rocks » 2022
Côtes de Clermont Auvergne, France.
Sploshing paint with principled but childlike abandon.

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«Not stuck in the mud III » 2022
Letting go.
Going with the flow.

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«Sticks and stones III » 2022.
Freely inspired by ground-gazing, rendered with abandon.
A4

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“Sticks and Stones II” 2022
30 cm2 of the surface of the with volcanic stones, sticks, twigs, grasses. I lost myself in serendipitous Decided it was finished.

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“Vue du Plateau de Gergovie V” 2022 A4

Looking towards the snow-capped mountains of the Sancy from ruins of Gaulish ramparts.

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“Avenue traversant Plateau de A4

I stopped in my tracks and gazed at this tree-lined avenue. Since my earliest childhood I can recall many moments spent playing on ancient settlements and hillforts.

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