The Rock Candy Mountain in Cloudy with a Chance of Meatballs 2 was a major creative challenge. Layers upon layers of refracting surfaces contained internal geometric cracks and imperfections, the environment was a feast for the eyes

19 134

The Meg - Underwater Environments https://t.co/mnFcr6FQXw

Sony Pictures Imageworks https://t.co/urQrbskur9

2 19

For the Green Goblin look development, we referenced various species of reptiles for skin iridescence and scale size. His scales were a mixture of surface displacement and modeled scales that could fly off his skin during battle.

342 1604

Trees are typically one of the biggest indicators of style in animated films; referencing awesome paintings like these by , we found a look that we could populate to an entire forest

527 2429

Guest Artist: Everett Downing/Story Artist at Sony Pictures Imageworks/Follow https://t.co/bt1OW0tmhd

0 2

Guest Artist: Everett Downing/Story Artist at Sony Pictures Imageworks/Follow https://t.co/bt1OW0tmhd

2 12