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The Rock Candy Mountain in Cloudy with a Chance of Meatballs 2 was a major creative challenge. Layers upon layers of refracting surfaces contained internal geometric cracks and imperfections, the environment was a feast for the eyes #imageworksvfx #cloudywithachanceofmeatballs
The Meg - Underwater Environments https://t.co/mnFcr6FQXw
Sony Pictures Imageworks https://t.co/urQrbskur9
For the Green Goblin look development, we referenced various species of reptiles for skin iridescence and scale size. His scales were a mixture of surface displacement and modeled scales that could fly off his skin during battle. #SpiderVerse #imageworksvfx #IntoTheSpiderVerse
Trees are typically one of the biggest indicators of style in animated films; referencing awesome paintings like these by @okeefe_artist, we found a look that we could populate to an entire forest #Spiderverse #imageworksvfx #IntoTheSpiderVerse
Guest Artist: Everett Downing/Story Artist at Sony Pictures Imageworks/Follow @Mr_Scribbles https://t.co/bt1OW0tmhd #boxmeetscircle #pixar
Guest Artist: Everett Downing/Story Artist at Sony Pictures Imageworks/Follow @Mr_Scribbles https://t.co/bt1OW0tmhd #boxmeetscircle #pixar