1641. 아저씨들이라도 귀엽다고 떠들고 싶어! - 쿠로사키

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22 déc. 1885: Itō Hirobumi (1841-1909), devi1 le 1er Premier ministre du Japon. Assassiné par 1 nationaliste coréen.
➡️Les 5 de Chōshū, 1863. Hirobumi assis sur la balustrade, à droite. Etudièrent dès 1863 à Londres. Il était illégal au Japon de voyager à l'étranger /e/1641-1853

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In memoriam el pintor flamenco

Anton van Dyck

Amberes, 22 de marzo de 1599
-Londres, 9 de diciembre de 1641

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Circle of Sir Anthony van Dyck (1599-1641).

A grey horse in a landscape, nd.

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6 Nov 1641: As news of the rising causes panic in Oliver Cromwell MP moves an ordinance for Robert Devereux 3rd Earl of to mobilise all forces in the southern half of (Cromwell Museum/BM) - foreshadows of many things to come

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アメブロを更新しました。

『1641.【純支援コンボ】対うさヘル用MPMAXコンボ♬』


【他画像13枚】
https://t.co/HRYW1pbVcH

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Herman Verelst.1641-1690. Portrait of a Young Man.1667.

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¡Buenos días!

Domenichino (Bolonia 1581 - Nápoles 1641).

‘El sacrificio de Isaac’ (1627/1628, óleo sobre lienzo, 147 x 140 cm).

Museo del Prado.

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Sir Peter Lely(1618-1680)Dutch painter, spent most of career in England, where he became the dominant portrait painter to the court. Lely's portraits were well received, and he succeeded Anthony van Dyck (who had died in 1641) as the most fashionable portrait artist in England.

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Mysterious glade in a hazy forest. Central Finland. [1094x1641] [OC] - joel7861 -

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Diego Velázquez
ディエゴ・ベラスケス

《聖母マリアの戴冠式》1641-44年 プラド美術館

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Basket of Peaches, with Quinces, and Plums, after 1641, by (French, 1610–1696). Held at , https://t.co/UxKHHe9hJX

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LE NAIN brothers
The Cart or Return from Haymaking
1641
Oil on canvas, 56 x 72 cm
Musée du Louvre, Paris

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''The coronation of the virgin'' by Diego Velázquez (1641-1644), at

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第1641話 デュピクセント初体験でちょっとたじろぐアラフィフ親父 ー アメブロを更新しました

https://t.co/62GgUolzSt

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Sara Copio Sullam (1588/90- 1641), è una poetessa che vive nel primo ghetto ebraico della storia, quello di Suscita un certo scalpore sia perché è donna erudita sia perché è ebrea, per l’epoca due caratteristiche limitanti.

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“Basket of Peaches, with Quinces, and Plums,” Louise Moillon, after 1641 🍑 From the LACMA collections webpage: Still-life was considered a minor genre in seventeenth century France. For that reason few painters devoted their talent to painting the ma… https://t.co/mfLWgvt5gT

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ヨハネス・コルネリス・フェルスプロンク『青い服の娘』1641年 アムステルダム国立美術館

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