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Winslow Homer, Henry Wadsworth Longfellow, 1858 https://t.co/5uOoJR83pu #cmaopenaccess #clevelandartmuseum
New painter (to me ) Emile Rau ( 1858-1937) German painter. I think his paintings are a little different from the usual languid ladies and pretty children , they seem to have character. I like the clothing too. Charming paintings
Jan Baptist Huysmans, (Amber, 1826 - Hove, Belgium, 1906).. He was a Belgian painter known for his oriental scenes.... He led a peripathetic lifestyle and travelled and worked in many countries..
“The artist drawing in a courtyard in Damascus”, (1858)...
Oil on panel, 50 x 60 cm.
おはようございます!
1858年の今日はアメリカのハイマンリップマンが鉛筆に消しゴムを固定させた「消しゴム付鉛筆」を発明しました!
みなさんも一度は使ったことがあるのでないのでしょうか?
3月ももう終わりますね。なんやかんやであれから1年過ぎましたがワイは元気です!!
Utagawa Hiroshige (安藤広重, 1797–1858)
Woman viewing cherry blossoms, from an unidentified harimaze set
#安藤広重 #Hiroshige #ukiyoe #japan
This week's #ThursdayTheme is William Morris!
Born #OTD in 1834. Self-portrait (1856), a rare oil painting 'La Belle Iseult' (1858, @Tate), an early design for wallpaper- 'Trellis' (1862) & 'Snakeshead' textile (1876). This short post cannot do this brilliant polymath justice!
Eugène Delacroix, Greek Cavalry Men Resting in Forest, 1858 https://t.co/8G9UuE3RkZ #moderneuropeanart #cmaopenaccess
入社1年経ったので更新❕
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裏企画や参加型等配信等で沢山絡めたら嬉しいです🙌🏻
#ら民 #ら民プロフィール帳
@erminiopasquat1 @BrindusaB1 @lagatta4739 @karmendida @scastaldi9 @Matibo11 @ValerioLivia @migliaccio31 @NadiaZanelli1 @licprospero @Rebeka80721106 @BaroneZaza70 @angela3nipoti1 @LunaLeso @Messe11 Grazie, Erminio!! Good evening!! :) 😊🌿💐💫🌼🌹
Artwork
🎨 by Andrea Figari (Italian, 1858–1945).
Utagawa Hiroshige (安藤広重, 1797–1858)
Swallows and Peach Blossoms in Rain
Edo period
#安藤広重 #Hiroshige #ukiyoe #japan
#ArtePerLArte
Andrea Figari (1858/1945)
Veduta di porto, 1902
"Paesaggio e " Scuola Grigia" "
@BrindusaB1 @lagatta4739 @karmendida @scastaldi9 @matibo11 @ValerioLivia @migliaccio31 @NadiaZanelli1 @smarucci461 @BaroneZaza70 @LunaLeso @Rebeka80721106 @angela3nipoti1 @albertopetro2
Claude Monet, Caricature of Léon Manchon, 1858 https://t.co/jRNX4cGKGz #museumarchive #claudemonet
Plant-Women, Dryads and Fleur Fatales. (1/8)
Daphne's legacy ranges from takes on 'Daphne's Revenge' as Fleur Fatales/Tree Sirens prey on human men - seen in 'Phantastes' (1858), 'The Woman of the Wood' (1926), 'His Vegetable Wife' (1986) and 'Into the Heartless Wood' (2021)