Happy Union (Allegory of Love, IV) is a painting by Italian Renaissance painter Paolo Veronese, dated around 1575. (National Gallery, London).

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The painting ‘Madonna and Child’ by Venetian Renaissance artist was confiscated by the Nazi looting organisation (the ERR) from the Wacker-Bondy warehouse at 236 Blvd. Raspail, Paris, France, in 1940. Today, its whereabouts are still unknown.

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Veronese, The Finding of Moses, c. 1581/1582

(National Gallery of Art, Washington)

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Morisot visited the Louvre to copy as part of her ‘finishing’ & met Corot, Monet & Manet there. Corot introduced her (1860) to painting ‘en plein air’ & to the immediacy of observation & depiction. She continued to train under artists until 1864. Copy of Veronese (1858)

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Happy Union
Paolo Veronese
1575

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The Finding of Moses, by Paolo Veronese (Italian), 1575,

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The dominant theory is that the picture represents a classical love triangle, with a secret letter being passed between one of the men and the nude woman. Cupid is on the left.

📖 https://t.co/7q3ocNoVeO
Unfaithfulness by Paolo Veronese 1575

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Paolo Veroneseの絵のeye levelはどこでしょう。彼はこのview angleが大好きそうだ。
https://t.co/AsFRDhbywU

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Various Sketches of the Madonna and Child (recto) Architectural Studies (verso) [partially visible on recto], Paolo Veronese, c. 1580 https://t.co/PqyVAW3rTw

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—which I would much rather call by its other name of Venetian Sumach. Venetian suggests all the brocades and velvets of Titian and Paolo Veronese and that is exactly what this lurid rhus calls to mind. https://t.co/3mvuOVpRKe

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Interesting to see the real model for
D.G. Rossetti. First one Alexa Wilding in Ghirlandata in 1873 and in Veronica Veronese secondly 1872.

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A great work by Paolo Veronese at the Accademia Galleries in representing the crucifixion, I love this detail as it also reminds me of Tintoretto on a reverse mirror https://t.co/Gzb0yJ9Kwu

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Paolo Veronese
The Baptism of Christ

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Morisot visited the Louvre to copy as part of her ‘finishing’ & met Corot, Monet & Manet there. Corot introduced her (1860) to painting ‘en plein air’ & to the immediacy of observation & depiction. She continued to train under artists until 1864. Copy of Veronese (1858)

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Various Sketches of the Madonna and Child (recto) Architectural Studies (verso) [partially visible on recto], Paolo Veronese, c. 1580 https://t.co/PqyVAW3rTw

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