Andrea Mantegna (1431-1506), Madonna con bambino dormiente

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Altarpiece of San Zeno in Verona, left panel of St. Peter and St. Paul, St.John the Evangelist, St. Zeno, 1459

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Portrait of a Man (1460)
by Andrea Mantegna
Style: Early Renaissance

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La nostra Padova
Mantegna ricomposto: la scienza in aiuto del capolavoro padovano
Gli affreschi nella chiesa degli Eremitani furono ridotti in migliaia di pezzi da una bomba lanciata l'11 marzo 1944. Qui un pannello con la foto digitale dove sono stati collocati i frammenti.

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How Everett Spruce embraced early Renaissance painting (such as Mantegna) within his modernist construction of the Texas landscape.

A retro is and is featured on the new Modern Art Notes Podcast!

https://t.co/skCLH7589v

: https://t.co/pefmJl9Alp

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2/2 Dad's having a meeting, the kids are bored. Some things never change. From the camera picta by Andrea Mantegna.

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Mantegna’s work fascinates due to his constant attempt to place biblical events within an archaeologically accurate context - representative of Renaissance learning. His Madonnas are, however, some of the most beautiful examples of Maternal love

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The Triumphs of Caesar (1484-92) are 9 works by Mantegna which have been described as his masterpiece. They were painted for Mantua but acquired by Charles I of England in 1629. They have been badly degraded over time but are still an impressive reconstruction of a Roman Triumph

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In 1460 Mantegna was appointed Court artist by Ludovico III Gonzaga at his Ducal Court in Mantua. There he created frescoes in the Camera degli Sposi, Ducal Palace, Mantua (1465-74). These document the Duke & his Court. His oculus is one of the triumphs of the Renaissance

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Presentation at the Temple (1460), Cardinal Trevisan (1459-60) & St George (1460). The Portrait came about when the Pope commissioned Mantegna to paint the Cardinal who was part of the Council of Mantua (1459). The Council sought to rally Europeans against the Ottomans

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