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Novo visual do anime de "Kaiju No. 8.
A produção é do estúdio Production I.G, ele estreia em 2024.
"Kaiju No. 8" Anime New Key Visual
- Scheduled for 2024
- Studio Production I.G.
- Kaiju designs will be handled by Studio Khara (Rebuild of Evangelion)
เผยภาพโปรโมทแรกฉบับอนิเมะซีรีส์ของมังงะสุดฮิต "Kaiju No.8" แล้ววันนี้ !!!!!
ตัวอนิเมะซีรีส์ผลิตโดย Production I.G
กำหนดออนแอร์ปี 2024 !
#JapanAnimeMovieThailand
Pôster do anime de Kaiju No.8, que será feito pelo estúdio Production I.G. com previsão de estreia para 2024!!!
JUST IN: Kaiju No. 8 revealed a key visual and trailer!
Watch and read more: https://t.co/BOKaBFPU1H
Production I.G is animating the adaptation which is set to premiere in 2023.
【アニメ情報】
『#怪獣8号』
《ビジュアル公開》
2024年放送決定!
アニメーション制作
#ProductionIG
怪獣デザイン&ワークス
#スタジオカラー
楽しみすぎてヤバいー!!
2024年の楽しみが増えました!!
Kaiju No. 8 Anime Key Visual.
Production I.G. will be in charge of the adaptation, premiering in 2024.
コジマプロダクション設立7周年❗️
おめでとうございます🎉🎉🎉🥳🤩🥳
#KJP7th #コジプロ #KojimaProductions
I'm sharing just teaser snippets here of some of the artwork I've made for a production of Shakespeare's The Tempest by @ScaryLittleGs at the iconic @minacktheatre.
FINISHED PRODUCT
(if you want to see wip go to previous post)
#murderdrones #uzi #n #glitchproductions #fanart #murderdronesfanart
#MurderDrones #Glitchproductions #LiamVickersAnimation #murderdronesfanart
shorty drone....
I figured it might ... I dunno, be interesting?
2017 - Learning the ropes on Handpaint Textures
2018 - Learning the ropes on Sculpting in ZBrush
2020 - Improving on ZBrush + Handpaint
2021 - Finding my ideal production pipeline
#SkillNotTalent
Almost ready to send Nawalli off to production, been running a marathon since the Kickstarter ended🙃. What ya'll think of the Nawal card back design?
Congratulations to SSE/Sound Designer Kimberly Patrick on her first lead sound credit on a major blockbuster movie, Ant-Man and the Wasp: Quantumania! https://t.co/FjGjohYOmx
#SkywalkerSound #AntManAndTheWaspQuantumania #audiopost #postproduction #sounddesign #soundeditorial
Uetake Power! It’s funny to think just two seasons ago he was looked at as one of the weaker AD’s. His development exhibits one of the benefits of long runner productions and how staff can acclimate to the designs. It feels very rewarding as a fan to watch him continue to grow.