画質 高画質

the past two years for comparison

0 0

I love how, despite pretty much every single other love live character being quite light-skinned already, sachiko somehow manages to be so pale she looks dead by comparison

1 9

And the covers for comparison!

1 6

I love Ricky’s design but looking at her design next to other people ocs design she looks so simple in comparison LOL

1 1

⚠️SPOILER ALERT⚠️ I was caught in a moment of weakness and inspiration and decided to draw my number 1 waifu again. I really like the way my art style has improved so far, in comparison to when I drew her last. 🥰🥰🥰

0 4

The old version on the right for comparison

0 3

Here it's the comparison between the first and last stages of "The Shape of the Abyss"

Open Edition Available right now at Nifty Gateway for only $1!

https://t.co/nuNK5JU8XI

Before VS After https://t.co/eBHBqylFVn

2 4

Ladybug & Chat Noir rise to save Paris from a ruthless Papillon as he tears apart Paris in search for the jewels to achieve his truest wish.

This has abuse trauma & themes meant for an older audience.

https://t.co/6A9p8dNhNT

0 0

This is the immediate comparison point I thought of. Very similar proportions but the approach to the key art is different

0 4

While still a little doodle this is a fun comparison of the same drawing with and without reference + a bit more time spent it

0 7

Musée Carnavalet , Paris

Wilhelm Schulte
street sketch
watercolor ✓
.

0 10

Been doing some different stuff lately. Here’s a painter character I’ve been playing with. His story takes place in Paris, 1861

42 420

first solo show
26-29 january
paris

save the date.

46 103

เราติดไม่ครบใช่มั้ยคะ ขออนุญาตลงใหม่นะคะ🤘💐💖

Bienvenue TENLEE

59 13

โห ลงเวลานี้จะมีคนเห็นมั้ยคะ✨💖🤘🥺😭

ฝากรีเป็นกำลังให้กันและยอดทวิตให้เตนเตนล์ด้วยนะคะ✨💖💐🌈

Have a good day นะคะ ได้เห็นเตนล์ประสบความสำเร็จไปอีกขั้นเป็นของขวัญที่ดีที่สุดในวันเกิดเราเลยค่ะ😭✨💖💐🤘

76 37

I did a redesign of my OC Alco:the purple one (dark blue photo/old design for comparison)

0 0

Bastille Day, 14th of July, Paris, Everett Shinn, 1930, [2880 x 3446]

5 12