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Springtime (1873) by Pierre Auguste Cot (1837-1883). Met Museum of Art. #FrenchArt
Day 1837: Duo! Not a too crazy amount of progress, but it was my goal. Just the amount I wanted to get done. Simple, but satisfying. These clear goals are what I like and make it feel much more achievable to me! I will be on track to finish this piece exactly how I want to now!
Travellers on Horseback in The Snow by Utagawa Hiroshige - 1837 - print: https://t.co/6vtYHBdaKk
Unknown Artist, “Chuprassi”, c. 1837-1840 https://t.co/ECvu4StZKh #unknownartist #harvardartmuseums
Travellers on Horseback in The Snow by Utagawa Hiroshige - 1837 - print: https://t.co/JXR4ox03gW
https://t.co/0Qz4NreKpX
Onuphrius Magazine
N°46 – Le Signal
1 septembre 2021
Armand Silvestre (1837-1901)
With my Illustration (Sofia Polonsky)
#france #onuphrius #book #writers #illustration #SofiaPolonsky #ArmandSilvestre #vintage #victorian #Literature #drawing #fashion #retro
The Blockade of Toulon, 1810-14: Pellew's Action, 5 November 1813.
Painting by Thomas Luny (1759-1837), 1830.
National Maritime Museum, Greenwich, London. Caird Fund (ID: BHC0604)
Mt. Penglai (Mountain of Immortals), by Tomioka Tessai (1837–1924)
#bunjinga
ちなみにこの1枚目の尖塔が特徴的な教会は現存します。
1666年のロンドン大火の後、クリストファー・レンによって再建。セントメアリールボウ教会というそうです。
2枚目は1837年だからヴィクトリア朝なったばかりのチープサイドのイラスト。
The Decameron, 1837 https://t.co/mpXbFcNSyr #neoclassicism #franzxaverwinterhalter
Camille Joseph Etienne Roqueplan, 1802 - 1855, French Romantic painter, Fireworks at Fontainbleau for the Marriage of the Duc de Chartres, 1837
Mountain of Immortals, by Tomioka Tessai (1837-1924)
#bunjinga
in 1837 that changed, the skirts were back to floor length, the sleeve puffs moved downwards towards the elbow and everything decreased including the waist which hit its natural form in the late 1830s
below are 1830s fashion plates dated before 1837 so you can tell the difference between them.
before 1837 some attributes of the 30s were huge dresses, women wore multiple petticoats, skirts and sleeve supports etc it was intense