Roundel with Angel Supporting a Heraldic Shield, 1490–1500 https://t.co/cW9WMdffAc

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John Singleton Copley, Mrs. Jerathmael Bowers, ca. 1763 https://t.co/M7BgsJKbzj

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Erastus Salisbury Field, Girl of the Bangs-Phelps Family, ca. 1848 https://t.co/7nypd2pe4g

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John Singleton Copley, Study for "The Ascension", 1774 https://t.co/lGDAwIkLMW

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Eugène Delacroix, The Giaour on Horseback (recto); Study of a Woman with Head and Arms Thrown Back, and Study of the Head of an Old Man (verso)., 1824–26 https://t.co/ZpxloH3nte

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Henri de Toulouse-Lautrec, La Troupe de Mademoiselle Eglantine, 1895 https://t.co/9MGBQ8MWhS

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Hubert Robert, Equestrian Statue of Marcus Aurelius, 1757 https://t.co/SW4c3Gthd0

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Winslow Homer, Saddle Horse in Farm Yard, ca. 1870–75 https://t.co/QYlFwUuZks

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Edgar Degas, Bather Sponging Her Knee, ca. 1883–84 https://t.co/Wupy0lTfLo

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Camille Corot, Diana and Actaeon (Diana Surprised in Her Bath), 1836 https://t.co/FwXqauhMf4

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Ruben C. Cordova examines three phases in the Metropolitan Museum of Art’s practice of deaccessioning art from its collection.

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https://t.co/W5S3LY2Rh1

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John Singer Sargent, Mountain Lake (from Switzerland 1870 Sketchbook), 1870 https://t.co/pBYxVAbAJ9

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Pieter Vanderlyn, Portrait of a Lady (Possibly Hannah Stillman), 1720–30 https://t.co/olkVI0CVZr

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Constantin Guys, A Parisienne Seen from the Back, 1850s(?) https://t.co/Dt5pSmgRY8

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