My name is Giovanni Giorgio, but everybody calls me Giorgio

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Sacred & Profane Love (c1514) is a beautiful placid work. He had moved on from Giorgione’s influence in painting style but kept his mystery & magic. The Three Ages of Man (c1512) & the ‘Gypsy’ Madonna (c1511) carry the same mood.

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Titian worked with the enigmatic Giorgione in his early years & their works are hard to separate (especially as Titian painted in his master’s style at first). Le Concert Champetre (c1509) may be by both, but Christ & Adulteress (c1509) & Virgin & Child (c1510) are probably his

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Well then!

Here's the vivacious Tanuki shrine maiden: Kiki Giorgia!

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Ok, say Giorgio Morandi, without quoting his name. There is an artist here, that makes the most extraordinary contemporary still lives, very pared down and flat. I wish I could remember his handle.

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Giorgio Morandi “Vaso di fiori. Il papavero” 1958

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“Morandi, si diceva, faceva dei quadri astratti usando delle bottiglie e dei vasi come pretesto formale. Infatti il soggetto di un quadro di Morandi non sono le bottiglie ma la pittura fermata in quegli spazi.”
(Bruno Munari)

Giorgio Morandi, “Natura Morta” 1936

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Giorgio Morandi “ Fiori”

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Can’t split two!!! Even today I still listen to Phil Oakey / Giorgio Moroder’s “Together in Electric Dreams” and the Neverending Story theme by Limahl 👏🏻👏🏻👏🏻👍🏻👍🏻👍🏻

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Giorgio de Chirico, The Return of the Prodigal Son I (Il Ritorno del Figliol Prodigo I) from Metamorphosis, 1929 https://t.co/WJ1aUhgdob

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Painting at Bedtime.
The Tempest.
Giorgione.

Little is known about the artist, although he may have had Titian as a pupil. 6 of his paintings are known. Art historians have argued for centuries about the meaning of this work. Adam and Eve? The Goddess Demeter? Self-Portrait?

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Words are not enough.
Those fly.
It takes smiles
and hugs are needed.
Gestures are needed
and it takes complicity.
And then you need presence.
It takes everything that doesn't fly.
It takes all that's left.
(Giorgia Stella

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